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Prof. Dr. Anna Langenbruch
Institute of Music (» Postal address)
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Prof. Dr. Anna Langenbruch
Institute of Music (» Postal address)
Archive
2021
Report on research group published
An article about the research group has been published in the Carl von Ossietzky University's research magazine. In the current issue of Insights, Anna Langenbruch and Daniel Samaga report on their research and the activities of the Emmy Noether junior research group "Music History on Stage".
2020
New employee & new sub-project
Naemi Flemming joined the project team as a research assistant on 1 April 2020. The range of topics covered by the project is also expanded by the fourth sub-project, which was launched at the same time and for which she is responsible. Women composers on the stage which she is responsible for.
Lecture
Histoire(s) de l'exil dans le théâtre musical contemporain
Dr Anna Langenbruch
Conference "Musique, mémoires, histoire dans des sociétés plurielles"
13 February 2020, 14:30
Université de Tours (France)
Series of lectures
Music theatre: practice, pedagogy, science
Concept: Anna Langenbruch, Lars Oberhaus & Volker Schindel
Winter semester 2019/20, Wednesdays (fortnightly), 10:00 a.m.
Chamber Music Hall (A11 0-011)
While theatre pedagogy has now established itself as an independent discipline with research and associated degree programmes in Germany, the field of music theatre pedagogy is still being developed. The special feature of music theatre pedagogy is the explicit examination of the diverse forms of music theatre and the associated intersections between music practice, music pedagogy and musicology. But what could a contemporary music theatre pedagogy look like? Speakers from the fields of musicology, theatre studies (with a focus on music theatre), dance studies, music and theatre pedagogy, music education and musical-artistic practice will address this very question in this series of lectures.
| 23.10.2019 | Dr Sebastian Stauss (University of Munich) |
| 06.11.2019 | Rainer O. Brinkmann (Berlin State Opera) |
| 20.11.2019 | Jan-Bart DeClercq (Semperoper Dresden) |
| 04.12.2019 | Prof Ingo Diehl (Frankfurt University of Music and Performing Arts) |
| 18.12.2019 | Dr Christine Fischer (Lucerne University of Applied Sciences and Arts) |
| 15.01.2020 | Prof. Dr Silke Schmid (University of Education Freiburg) |
| 29.01.2020 | Maike Fölling (Hanover State Opera) |
2019
Lecture
Stranger than fiction? Music history on the stage
Dr Anna Langenbruch
Lecture as part of the Emmy Lecture Quartet at the Emmy Noether Annual Meeting
06 July 2019, 19:00
Potsdam
Music theatre performance
Lecture
Offenbach dreams: musical history(s) on stage
Dr Anna Langenbruch
As part of the international symposium "Jacques Offenbach, the European: Music and Society"
20 June 2019, 17:40
Cologne University of Music and Dance, Chamber Music Hall
Conference
Music history on the stage / Performing Music History
9-11 May 2019
University of Oldenburg, Library Hall
2018
New release
Lecture
Figures of thought and thought collectives (not only) in popular music studies
Dr Anna Langenbruch
As part of the 28th conference of the Gesellschaft für Popularmusikforschung (GfPM) "(Des-) Orientierungen Populärer Musik"
17 November 2018, 13:30
University of Oldenburg, Lecture Hall Building A 14, Lecture Hall 2
Lecture
Un spectateur historiographe? Jouer, voir, écouter l'Histoire de la musique
Clémence Schupp-Maurer, M.A.
9e colloque de jeunes chercheur.e.s du 2L2S "Le public dans tous ses états"
08 November 2018, 14:20
Université de Lorraine Metz, France
Lecture
Comedian-Harmonists: chanson and jazz history on stage
Clémence Schupp-Maurer, M.A.
In the "Theatre Knowledge" series of the Friends of the Oldenburg State Theatre e. V.
03 June 2018, 11:00 a.m.
Oldenburgisches Staatstheater, Uferpalast in the theatre harbour
Lecture
Gurre-Lieder: Of love and death, ghosts and fools
Dr Anna Langenbruch
In the "Theatre Knowledge" series of the Friends of the Oldenburg State Theatre e. V.
28 May 2018, 20:00
Oldenburgisches Staatstheater, Exerzierhalle
Lecture
Scientists, singing: Interfaces of scientific and musical performance in scientific operas
Dr Anna Langenbruch
As part of the conference "The Performance. Performance in Science"
Organised by Prof. Dr Thomas Etzemüller (University of Oldenburg) and the Research Training Group "Selbst-Bildungen. Practices of Subjectivisation in Historical and Interdisciplinary Perspective"
5 May 2018, 10:45 a.m.
Fritz Thyssen Foundation, Apostelnkloster 13-15, Cologne
Series of lectures
Musical orders of knowledge
Concept: Dr Cornelia Bartsch, Dr Anna Langenbruch
Summer semester 2018, Mondays, 18:00
University of Oldenburg, library hall
(last date in The Smart House Oldenburg)
The series of lectures examines how knowledge is produced, recognised, stored and disseminated. At the centre are references between music and knowledge, but also more general questions about artistic, popular and academic knowledge. We are primarily concerned with different categories of musical knowledge, in particular the ordering functions that historiography and gender, ethnicity, nationality and genre (e.g. music theatre) or media (body, writing, image, music) take on.
| 09.04.2018 | PD Dr Stephanie Schroedter (University of Heidelberg) |
| 23.04.2018 | Dr des. Sarah-Maria Schober (University of Basel) |
| 07.05.2018 | Prof. Dr Thorsten Logge (University of Hamburg) Klios Medien - Ausführungen und Aufführungen von Geschichte in der Öffentlichkeit |
| 14.05.2018 | Dr Talia Bachir-Loopuyt (Université François-Rabelais Tours) Music, Culture and Knowledge: From ethnomusicology to the ethnography of musical worlds |
| 11.06.2018 | Prof. Dr Clemens Risi (University of Erlangen-Nuremberg) Affects, emotions and body knowledge in 17th and 19th century opera |
| 18.06.2018 | Prof Dr Signe Rotter-Broman (Berlin University of the Arts) Music - Science - History: International exhibitions and musical orders of knowledge in the late 19th century |
25.06.2018 | Prof. Dr Annegret Huber (University of Music and Performing Arts Vienna) Values | Truth | Value judgement. Orders of knowledge through structural analyses of music from a feminist perspective; room change: The Smart House Oldenburg, Schlossplatz 16, Oldenburg |
An event of the Institute of Music (Department of Cultural History of Music; Emmy Noether junior research group "Music History on Stage") in co-operation with the Research Training Group "Self-Formations", the Centre for Interdisciplinary Women's and Gender Studies and the Academic Centre "Genealogy of the Present".
International symposium
"Beethoven's Legacy": With Beethoven in exile
Concept: Dr Anna Langenbruch (University of Oldenburg), Dr Beate Angelika Kraus and Prof. Dr Christine Siegert (Beethoven-Haus Bonn)
1-3 March 2018
Beethoven-Haus Bonn, Chamber Music Hall
The conference will focus on Beethoven's reception and Beethoven practices in exile between around 1933 and 1945, e.g. academic, literary or journalistic writing about Beethoven, political and musical activities involving Beethoven, the images of the composer that exiles created, took with them and transformed, or the engagement with Beethoven's music in concert, on recordings, on radio or in film. The conference thus contributes to rethinking and strengthening the role of music and musicology in the current discourse of exile and migration research, using the example of a composer figure who was central to the musical and political self-image of German-speaking exiles, but who has so far been little researched in this context.
The reason for the conference is the rediscovery of a study by music publicist Paul Bekker from around 1934, which was thought to have been lost. It is entitled "Beethoven's Legacy" and will be presented at the conference and placed in the context of the contemporary debate on Beethoven.
2017
Lecture
Dr Anna Langenbruch
Composers as stage characters
As part of the composer colloquium "Music of our time" by Prof Dr Violeta Dinescu
08 December 2017, 18:00
University of Oldenburg, Chamber Music Hall
Lecture
Dr Anna Langenbruch
Performing Music History: Composer Figures in Music Theatre
As part of the series of lectures "Between Transfer and Transformation - Horizons of the Reception of Music" organised by the Institute of Musicology at the University of Vienna
05 December 2017, 18:00
University of Vienna, Lecture Hall 1
Lecture
Dr Anna Langenbruch
Music history ethnographically: between historiographical history, performance analysis and ethnography
As part of the symposium "Musikbegriffe zwischen Ethnographie und Geschichte: Deutsche und französische Perspektiven" at the annual conference of the Gesellschaft für Musikforschung in Kassel
29 September 2017, 13:30
Hörsaalcenter Kassel, seminar room 3
Lectures & Concert
Between sound, narrative and performance - music history on stage
Lectures by Dr Anna Langenbruch, Clémence Schupp and Daniel Samaga
With musical contributions by vocal students from Prof Mechthild Kerz's class
As part of the lecture series "Dialogues between Art and Science: Sound, Visuality, Performance. Intermedia phenomena in contemporary music"
23 May 2017, 16:15-19:00
Hanover University of Music, Drama and Media
Emmichplatz 1, Lecture Hall 202
Start of the series of lectures
Sound, Visuality, Performance
Intermedia phenomena in contemporary music
Dialogues between art and science
Direction and concept
Dr Gesa Finke
Dr Anna Langenbruch
Dr Imke Misch
Organiser
Hanover University of Music, Drama and Media in co-operation with the Emmy Noether junior research group "Music History on Stage" (University of Oldenburg), the research centre Music and Gender (fmg) and the Equal Opportunities Office of the HMTMH
09, 23 May 2017 & 20 June 2017
Hanover University of Music, Drama and Media
Emmichplatz 1, Lecture Hall 202
Lecture
Dr Anna Langenbruch:
Music History Crossover: Intermedial Interweaving between Stage and Film
As part of the conference "LITPICS - Literarische Kommunikation im filmischen Dispostiv" organised by the Institute for German Language and Literature at TU Dortmund University
31 March 2017, 09:45 a.m.
Dortmunder U, Reinoldiraum
2016
New publication
Cultures of knowledge in musicology
Generations - Networks - Structures of Thought
Edited by Sebastian Bolz, Moritz Kelber, Ina Knoth and Anna Langenbruch
What could sociologically based and historically informed musicological research look like? What possibilities does it offer, where does it reach its limits? How does musicology "work"? The contributors from different generations and disciplines scrutinise the historical and sociological conditions of research practice and knowledge production. They examine generations and networks, thought structures, languages and cultures, methods and media of musicology.
In this way, subject-specific questions of musicology are linked with general considerations on the history and sociology of science.
New employees
Two research assistants hired as of 1 August
On 1 August, Clémence Schupp and Daniel Samaga started work in the research group Music History on Stage. Daniel Samaga will be working on sub-project 2: Mozart on the stage, while Clemence Schupp will be responsible for sub-project 3: Music history in popular music theatre from 1970 onwards. They will also support Dr Anna Langenbruch in the implementation of the overall project.
University press release
How knowledge about music is created
Anna Langenbruch accepted into the DFG's Emmy Noether Programme
Oldenburg. Oldenburg musicologist Dr Anna Langenbruch has been accepted into the renowned Emmy Noether Programme of the German Research Foundation (DFG). The five-year funding of 1.1 million euros will enable Langenbruch to set up a junior research group at the Institute of Music at the University of Oldenburg on the subject of "Music History on Stage". more...