Monograph and Edited Volumes

• Rethinking the North American Long Poem: Form, Matter, Experiment, edited by Ridvan Askin and Julius Greve. Albuquerque: University of New Mexico Press, 2024; forthcoming. 
• Poetic Voice and Materiality, Cluster of ASAP/J, edited by Zoe Bursztajn-Illingworth and Julius Greve, November 7, 2023. https://asapjournal.com/tag/poetic-voice/.
• Musikalische Regionen und Regionalismen in den USA / Musical Regions and Regionalisms in the USA (Lied und populäre Kultur vol. 66), edited by Julius Greve and Knut Holtsträter. Münster u. New York: Waxmann 2021.
• The American Weird: Concept and Medium, edited by Julius Greve and Florian Zappe. New York: Bloomsbury, 2020.
• Spaces and Fictions of the Weird and the Fantastic: Ecologies, Geographies, Oddities, edited by Julius Greve and Florian Zappe. New York: Palgrave Macmillan, 2019.
• Shreds of Matter: Cormac McCarthy and the Concept of Nature. Hanover, N.H.: Dartmouth College Press, 2018.
• Cormac McCarthy Between Worlds, Special Issue of EJAS: European Journal of American Studies 12, no. 3 (2017), edited by James Dorson, Julius Greve, and Markus Wierschem. European Association for American Studies. journals.openedition.org/ejas/12252.
• Superpositions: Laruelle and the Humanities, edited by Rocco Gangle and Julius Greve. London: Rowman & Littlefield, 2017.
• America and the Musical Unconscious, edited by Julius Greve and Sascha Pöhlmann. New York: Atropos, 2015.

Journal Articles and Book Chapters

• “Intermedial Americana: Music, Vision, and Narrative in Bill Morrison’s The Great Flood and Spike Lee’s When the Levees Broke.” (co-authored with Knut Holtsträter) In Americana: Aesthetics, Authenticity, and Performance in US Popular Music, edited by Knut Holtsträter and Sascha Pöhlmann, 109–134. Münster and New York: Waxmann, 2023.
• “Introduction to Poetic Voice and Materiality.” (co-authored with Zoe Bursztajn-Illingworth) ASAP/J, November 7, 2023. https://asapjournal.com/poetic-voice-and-materiality-introduction-zoe-bursztajn-illingworth-and-julius-greve/. 
• “‘The Pitch of the Pines’: Craig Dworkin’s Material Ecopoetics.” ASAP/J, November 7, 2023. https://asapjournal.com/poetic-voice-and-materiality-the-pitch-of-the-pines-craig-dworkins-material-ecopoetics-julius-greve/. 
• “The Disembodied Voice.” In Sound Affects: A User’s Guide, edited by Sharon Jane Mee and Luke Robinson, 104–116. New York: Bloomsbury, 2023.
• “Hip Hop Naturalism: A Poetics of Afro-Pessimism.” Ecozon@  13, no.1 (2022): 73–88. ecozona.eu/article/view/4441.
• “Voice and Wake: Susan Howe, M. NourbeSe Philip, and the Ecology of Echology.” In The Acoustics of the Social on Page and Screen, edited by Nathalie Aghoro, 61–77. New York: Bloomsbury, 2021.
• “Deleuze and Diagnosis: A Remark on the ‘Postscript.’” Coils of the Serpent: Journal for the Study of Contemporary Power 6 (2020): 7-14. coilsoftheserpent.org/2020/11/deleuze-and-diagnosis/.
• “Radioactivity and the Typewriter’s Breath: Practical Aesthetics in Pound and Olson.” In Practical Aesthetics, edited by Bernd Herzogenrath, 215–226. New York: Bloomsbury, 2020.
• “Introduction: Conceptualizations, Mediations, and Remediations of the American Weird.” (co-authored with Florian Zappe) In The American Weird: Concept and Medium, edited by Julius Greve and Florian Zappe, 1–12. New York: Bloomsbury, 2020.
• “Ventriloquism Against the Copyright of the Concept: Authorial Suspension and Modernist Performativity.” In We the People? The United States and the Question of Rights, edited by Irina Brittner, Sabine Meyer, and Peter Schneck, 157–176. Heidelberg: Winter, 2020. 
• “Nineteenth and Twentieth-Century Philosophy.” In Cormac McCarthy in Context, edited by Steven Frye, 155–168. Cambridge: Cambridge University Press, 2020.
• “Radio, Typewriter, Breath: On Practice and Technique in Pound and Olson.” In The Return of the Aesthetic in American Studies. REAL: Yearbook of Research in English and American Literature, vol. 35, edited by Winfried Fluck, Rieke Jordan, and Johannes Völz, 155–168. Tübingen: Gunter Narr, 2019.
• “The Weird and the Wild: Media Ecologies of the Outré-Normative.” In Spaces and Fictions of the Weird and the Fantastic: Ecologies, Geographies, Oddities, edited by Julius Greve and Florian Zappe, 41–56. New York: Palgrave Macmillan, 2019.
• “Introduction: Ecologies and Geographies of the Weird and the Fantastic.” (co-authored with Florian Zappe) In Spaces and Fictions of the Weird and the Fantastic: Ecologies, Geographies, Oddities, edited by Julius Greve and Florian Zappe, 1–12. New York: Palgrave Macmillan, 2019.
• “Neuropathologies: Cognition, Technology, and the Network Paradigm in Scott Bakker’s Neuropath and Dave Eggers’ The Circle.” In Representations of Science in Twenty-First-Century Fiction: Human and Temporal Connectivities, edited by Nina Engelhardt and Julia Hoydis, 37–54. New York: Palgrave Macmillan, 2019.
• “Rugged Resonances: From Music in McCarthy to McCarthian Music.” (co-authored with Markus Wierschem) EJAS: European Journal of American Studies 12, no. 3 (2017). https://journals.openedition.org/ejas/12330. 
• “Introduction: Cormac McCarthy Between Worlds.” (co-authored with James Dorson and Markus Wierschem) EJAS: European Journal of American Studies 12, no. 3 (2017). https://journals.openedition.org/ejas/12253.  
• “The Decisional Apparatus: Jameson, Flusser, Laruelle.” In Superpositions: Laruelle and the Humanities, edited by Rocco Gangle and Julius Greve, 75–90. London: Rowman & Littlefield, 2017.
• “Introduction: Superposing Non-Standard Philosophy and Humanities Discourse.” (co-authored with Rocco Gangle) In Superpositions: Laruelle and the Humanities, edited by Rocco Gangle and Julius Greve, 1–18. London: Rowman & Littlefield, 2017.
• “‘Cloaca Maxima’: Conceptualizing Matter in Cormac McCarthy’s Southern Fiction.” In Beyond Reckoning: Philosophical Approaches to Cormac McCarthy, edited by Chris Eagle, 5–32. New York: Routledge, 2017. 
• “Introduction: What Is the Musical Unconscious?” (co-authored with Sascha Pöhlmann) In America and the Musical Unconscious, edited by Julius Greve and Sascha Pöhlmann, 7–50. New York: Atropos, 2015.
• “‘Another kind of clay’: On Blood Meridian’s Okenian Philosophy of Nature.” The Cormac McCarthy Journal 13 (2015): 27–53.
• “Object-Oriented Utopianism: A Jamesonian Perspective on Graham Harman.” Alles Mögliche: Sprechen, Denken und Schreiben des (Un)Möglichen, edited by Reinhard Babel, Nadine Feßler, Sandra Fluhrer, Sebastian Huber & Sebastian Thede, 67–86. Königshausen & Neumann, 2014.
• “Danielewski, or, Metacommentary as Literary Production.” In Revolutionary Leaves: The Fiction of Mark Z. Danielewski, edited by Sascha Pöhlmann, 77–98. Newcastle Upon Tyne: Cambridge Scholars Publishing, 2012.

Reviews and Shorter Essays

• "Louise Glück: Das Versprechen des Abstands." Die Zeit Online, October 16, 2023. Accessed October 18, 2023. https://www.zeit.de/kultur/literatur/2023-10/louise-glueck-schriftstellerin-nobelpreis-nachruf. 
• "Writing Nature Between Orphism and Prometheanism in Cormac McCarthy’s Blood Meridian." Critical Posthumanism: Genealogy of the Posthuman. January 5, 2021. Accessed February 3, 2021. criticalposthumanism.net/blood-meridian/.
• "Review Essay: Dorothea Gail, Weird American Music: Case Studies of Underground Resistance, BarlowGirl, Jackalope, Charles Ives, and Waffle House Music (2018)." Amerikastudien / American Studies 65.4 (2020): 537-39.
• "Louise Glück: Die Stimme und der Verlust." Die Zeit Online, October 8, 2020. Accessed October 12, 2020. www.zeit.de/kultur/literatur/2020-10/louise-glueck-literaturnobelpreis-lyrik. 
• "Review Essay: Christoph Lanzen, Physicians of Culture: Healing Catharsis in the Fiction of Toni Morrison and the Philosophy of Friedrich Nietzsche (2018)." Anglia 137, no. 3 (2019): 522–525.
• “Review Essay: Louise Jillett, Cormac McCarthy’s Borders and Landscapes (2016).” The Cormac McCarthy Journal 15, no. 2 (2017): 193–197.
• “The Primacy of the Object. Review-Essay: Martin Paul Eve, Pynchon and Philosophy: Wittgenstein, Foucault and Adorno (2014).” EBR: Electronic Book Review. March 6, 2016. Accessed December 1, 2017. electronicbookreview.com/essay/the-primacy-of-the-object/.
• “Review-Essay: Andrew Estes Keller, Cormac McCarthy and the Writing of American Spaces (2013).” Anglistik: International Journal of English Studies 25, no. 2 (2014): 193–195.
• “Review-Essay: Nicoline Timmer, Do You Feel it Too? The Post-Postmodern Syndrome in American Fiction at the Turn of the Millenium (2010) and Joe Bray and Alison Gibbons (eds.), Mark Z. Danielewski (2011).” Amerikastudien / American Studies 58, no. 2 (2013): 318–320.