Publications

Dr. Julius Greve

Publications

Monograph and Edited Volumes

  • The American Weird: Concept and Medium, edited by Julius Greve and Florian Zappe. New York: Bloomsbury, 2020.
  • Spaces and Fictions of the Weird and the Fantastic: Ecologies, Geographies, Oddities, edited by Julius Greve and Florian Zappe. New York: Palgrave Macmillan, 2019.
  • Shreds of Matter: Cormac McCarthy and the Concept of Nature. Hanover, N.H.: Dartmouth College Press, 2018.
  • Cormac McCarthy Between Worlds, Special Issue of EJAS: European Journal of American Studies, edited by James Dorson, Julius Greve, and Markus Wierschem. European Association for American Studies, 2017. Accessed December 5, 2017. http://journals.openedition.org/ejas/12252.
  • Superpositions: Laruelle and the Humanities, edited by Rocco Gangle and Julius Greve. London: Rowman & Littlefield, 2017.
  • America and the Musical Unconscious, edited by Julius Greve and Sascha Pöhlmann. New York: Atropos, 2015.

Journal Articles and Book Chapters

  • “Deleuze and Diagnosis: A Remark on the ‘Postscript.’ Coils of the Serpent: Journal for the Study of Contemporary Power 6 (2020): 7-14. https://coilsoftheserpent.org/2020/11/deleuze-and-diagnosis/.
  • “Radioactivity and the Typewriter’s Breath: Practical Aesthetics in Pound and Olson.” In Practical Aesthetics, edited by Bernd Herzogenrath, 215–226. New York: Bloomsbury, 2020.
  • “Introduction: Conceptualizations, Mediations, and Remediations of the American Weird.” (co-authored with Florian Zappe) In The American Weird: Concept and Medium, edited by Julius Greve and Florian Zappe, 1–12. New York: Bloomsbury, 2020.
  • “Ventriloquism Against the Copyright of the Concept: Authorial Suspension and Modernist Performativity.” In We the People? The United States and the Question of Rights, edited by Irina Brittner, Sabine Meyer, and, Peter Schneck, 157–176. Heidelberg: Winter, 2020. 
  • “Nineteenth and Twentieth-Century Philosophy.” In Cormac McCarthy in Context, edited by Steven Frye, 155–168. Cambridge: Cambridge University Press, 2020.
  • “Radio, Typewriter, Breath: On Practice and Technique in Pound and Olson.” REAL: Yearbook of Research in English and American Literature 35 (2019): 155–168.
  • “The Weird and the Wild: Media Ecologies of the Outré-Normative.” In Spaces and Fictions of the Weird and the Fantastic: Ecologies, Geographies, Oddities, edited by Julius Greve and Florian Zappe, 41–56. New York: Palgrave Macmillan, 2019.
  • “Introduction: Ecologies and Geographies of the Weird and the Fantastic.” (co-authored with Florian Zappe) In Spaces and Fictions of the Weird and the Fantastic: Ecologies, Geographies, Oddities, edited by Julius Greve and Florian Zappe, 1–12. New York: Palgrave Macmillan, 2019.
  • “Neuropathologies: Cognition, Technology, and the Network Paradigm in Scott Bakker’s Neuropath and Dave Eggers’ The Circle.” In Representations of Science in Twenty-First-Century Fiction: Human and Temporal Connectivities, edited by Nina Engelhardt and Julia Hoydis, 37–54. New York: Palgrave Macmillan, 2019.
  • “Rugged Resonances: From Music in McCarthy to McCarthian Music.” (co-authored with Markus Wierschem) EJAS: European Journal of American Studies, 2017. Accessed December 5, 2017. http://www.ejas.revues.org/12330.
  • “Introduction: Cormac McCarthy Between Worlds.” (co-authored with James Dorson and Markus Wierschem) EJAS: European Journal of American Studies, 2017. Accessed December 5, 2017. http://journals.openedition.org/ejas/12252.   
  • “The Decisional Apparatus: Jameson, Flusser, Laruelle.” In Superpositions: Laruelle and the Humanities, edited by Rocco Gangle and Julius Greve, 75–90. London: Rowman & Littlefield, 2017.
  • “Introduction: Superposing Non-Standard Philosophy and Humanities Discourse.” (co-authored with Rocco Gangle) In Superpositions: Laruelle and the Humanities, edited by Rocco Gangle and Julius Greve, 1–18. London: Rowman & Littlefield, 2017.
  • “‘Cloaca Maxima’: Conceptualizing Matter in Cormac McCarthy’s Southern Fiction.” In Beyond Reckoning: Philosophical Approaches to Cormac McCarthy, edited by Chris Eagle, 5–32. New York: Routledge, 2017. 
  • “Introduction: What Is the Musical Unconscious?” (co-authored with Sascha Pöhlmann) In America and the Musical Unconscious, edited by Julius Greve and Sascha Pöhlmann, 7–50. New York: Atropos, 2015.
  • “‘Another kind of clay’: On Blood Meridian’s Okenian Philosophy of Nature.” The Cormac McCarthy Journal 13 (2015): 27–53.
  • “Object-Oriented Utopianism: A Jamesonian Perspective on Graham Harman.” Alles Mögliche: Sprechen, Denken und Schreiben des (Un)Möglichen, edited by Reinhard Babel, Nadine Feßler, Sandra Fluhrer, Sebastian Huber & Sebastian Thede, 67–86. Königshausen & Neumann, 2014.
  • “Danielewski, or, Metacommentary as Literary Production.” In Revolutionary Leaves: The Fiction of Mark Z. Danielewski, edited by Sascha Pöhlmann, 77–98. Newcastle Upon Tyne: Cambridge Scholars Publishing, 2012.

Reviews and Shorter Essays

  • "Writing Nature Between Orphism and Prometheanism in Cormac McCarthy’s Blood Meridian." Critical Posthumanism: Genealogy of the Posthuman. January 5, 2021. Accessed February 3, 2021. https://criticalposthumanism.net/blood-meridian/.
  • "Louise Glück: Die Stimme und der Verlust." Die Zeit Online, October 8, 2020. Accessed October 12, 2020. https://www.zeit.de/kultur/literatur/2020-10/louise-glueck-literaturnobelpreis-lyrik. 
  • "Review Essay: Christoph Lanzen, Physicians of Culture: Healing Catharsis in the Fiction of Toni Morrison and the Philosophy of Friedrich Nietzsche (2018)." Anglia 137, no. 3 (2019): 522–525.
  • “Review Essay: Louise Jillett, Cormac McCarthy’s Borders and Landscapes (2016).” The Cormac McCarthy Journal 15, no. 2 (2017): 193–197.
  • “The Primacy of the Object. Review-Essay: Martin Paul Eve, Pynchon and Philosophy: Wittgenstein, Foucault and Adorno (2014).” EBR: Electronic Book Review. March 6, 2016. Accessed December 1, 2017. http://electronicbookreview.com/essay/the-primacy-of-the-object/.
  • “Review-Essay: Andrew Estes Keller, Cormac McCarthy and the Writing of American Spaces (2013).” Anglistik: International Journal of English Studies 25, no. 2 (2014): 193–195.
  • “Review-Essay: Nicoline Timmer, Do You Feel it Too? The Post-Postmodern Syndrome in American Fiction at the Turn of the Millenium (2010) and Joe Bray and Alison Gibbons (eds.), Mark Z. Danielewski (2011).” Amerikastudien / American Studies 58, no. 2 (2013): 318–320.
(Changed: 2021-05-21)