Music textbooks in the schools of the FRG, Diss. phil. Freiburg 1973, Neuwied 1974

Die Frau die wollt ins Wirtshaus gehn. Frauen-Volksliederbuch, edited in collaboration with Ursula Bartholl-Müri, Helga Ussat and Christiane Nicolmann, Frankfurt/M. 1981

(with Mechthild Fuchs and Barbara James) Deutsches Volkslied. The all too familiar unknown. Workbook for upper secondary level, with music cassette (= Studienreihe Musik, ed. by Sabine Schutte and Johannes Hodek), Stuttgart 1983

(Editorial collaboration on) Fred Ritzel and Wolfgang Martin Stroh (eds.), Musikpädagogische Konzeptionen und Schulalltag. Versuch einer kritischen Bilanz der 70er Jahre (= Musikpädagogische Bibliothek Vol. 31), Wilhelmshaven 1984

Instrument and body. Die musizierende Frau und ihre Wahrnehmung in der bürgerlichen Kultur 1750 - 1850, Habilitations-Schrift Oldenburg 1988, Frankfurt/M. and Leipzig 1991

(with Eva Rieger, ed.) Von der Spielfrau zur Performance-Künstlerin. In search of a musical history of women, Kassel 1993

(co-author) Promotion of women is university reform - women's studies is academic criticism. Report of the Lower Saxony Commission for the Promotion of Women's Studies and the Advancement of Women in Teaching and Research, published by the Lower Saxony Ministry of Science and Culture, Hanover 1994

(with Franziska Eber) Catalogue of books on women and music. 1800-1993, Oldenburg 1995

(with Jane Bowers and Ruth Heckmann, eds.) Images of Women and Men in Music. Commemorative publication for Eva Rieger on her 60th birthday, Oldenburg 2000

(with Rebecca Grotjahn, ed.) Geschlechterpolaritäten in der Musikgeschichte des 18. bis 20. Jahrhunderts (= Beiträge zur Kultur- und Sozialgeschichte der Musik vol. 3), Herbolzheim 2002

Japanese edition of "Instrument and Body" (see above), translated by Yuko Tamagawa and Yoko Sakai, Tokyo 2004

(with Marion Gerards) Music - Women - Gender. Bücherverzeichnis 1780 - 2004 (= Series of publications of the Sophie Drinker Institute vol. 4), Oldenburg 2006

Panic feelings. Sexuelle Übergriffe im Instrumentalunterricht (ed.) (= üben & musizieren. texte zur instrumentalpädagogik vol. 1), Mainz etc. 2006

Travelogues of female musicians of the 19th century. Source texts, biographies, commentaries (ed.), Hildesheim 2011

(with Markus Gärtner and Axel Weidenfeld, eds.) Musik im sozialen Raum. Festschrift for Peter Schleuning on the occasion of his 70th birthday, Munich 2011

(with Volker Timmermann, ed.) Quellentexte zur Geschichte der Instrumentalistin im 19. Jahrhundert, Hildesheim 2013

Lexikon Europäische Instrumentalistinnen des 18. und 19. Jahrhunderts (ed.), database www.sophie-drinker-institut.de

(with Volker Timmermann, ed.) "Such a splendid misery is the artistic profession!" From the diary of the violoncellist Rosa Suck. Vienna 1859 and Paris 1866 (= Publication series of the Sophie Drinker Institute vol. 13), Oldenburg 2017

(ed.) Handbook of conservatories. Institutional music education in the German-speaking countries of the 19th century, 3 vols., Lilienthal 2021

(with Ivo Berg, ed.) Learning to teach. Instrumental pedagogy on the way into the 20th century, Mainz 2022

(with Walter Mossmann) Schule für die Schüler - Freinet-Reformbewegung, in: Johannes Beck and Heiner Boehncke (eds.), Jahrbuch für Lehrer 1977, Hamburg 1976

"A lot of grades, dear Mozart!" On the social function of musical anecdotes, in: Peter Schleuning (ed.), Warum wir von Beethoven erschüttert werden und andere Aufsätze über Musik, Frankfurt/M. 1978

(with Walter Mossmann) Freinet Pedagogy. Lernen und Leben verbinden, in: Klaus Breslauer and Wolf Engelhardt (eds.), Schulleben - Chance oder Alibi?, Hanover 1979

Annabelle or the pig Monika. On the image of women in German songwriters, in: Anschläge. Journal of the Archive for Popular Music Bremen II 1979, H. 5

From today on there's my programme. Songs from the women's movement, in: Anschläge. Journal of the Archive for Popular Music Bremen II 1979, H. 5

Two differently weighted abstracts of a lecture at the Berlin Bundesschulmusikwoche 1982:

(with Eva Rieger) Mädchen, die pfeifen... On the disadvantage of female pupils in music lessons, in: Schulische Musikerziehung und Musikkultur. Congress report 14th Bundesschulmusikwoche Berlin 1982, Mainz 1983

Under the same title in: Musik und Bildung XV 1983, H. 5

"In the field the man is still worth something". Psychological war preparation, hero socialisation and the Bundeswehr songbook, in: Gerhard Bolm et al. (eds.), Bewußtsein für den Frieden, 1. Friedenskongreß psychosozialer Berufe, Weinheim und Basel 1983

Instrumental lessons and ensemble playing, in: Ulrich Günther (ed.), Musik in der Kollegschule. Entwurf und Materialien für einen alternativen Bildungsgang in der Sekundarstufe II (= Curriculum 33), Soest 1984

Miniature virtuosos, cupids and angels. Female prodigies in the early bourgeoisie, in: Neue Zeitschrift für Musik CXLV 1984, H. 3

Sound and gender. Instrumental practice of women in the ideology of the early bourgeoisie, in: Neue Zeitschrift für Musik CXLV 1984, H. 12

An almost ideal sight: the woman at the pianoforte, in: 36th Berliner Festwochen 1986, No. 86

The instrumentalist and the dominant gaze, in: Einblicke. Research at the University of Oldenburg 1988, no. 8

Music for practical use. Hanns Eisler on his 90th birthday, in: kontrapunkt 1988, H. 5

On the road to emancipation: Travelling musicians around 1800, in: Reisekultur 1648 - 1848, ed. by Hermann Bausinger, Gottfried Korff, Klaus Beyrer and Wolfgang Griep, Munich 1991

"... she took the sword instead of the flute". On the connection between the bourgeois revolution and women's musical freedom of movement, in: Helga Brandes (ed.): "Der Menschheit Hälfte blieb noch ohne Recht". Women and the French Revolution, Wiesbaden 1991

"It can't always stay like this". An East German song revue in a West German theatre, in: Musik und Unterricht 1991, H. 8

Female art production as visual staging, in: Wolfgang Zacharias (ed.), Schöne Aussichten? Aesthetic education in the technical-medial world (= edition hermes. aesthetics, culture & politics vol. 2), Essen 1991

"... to dream of eternities with half-closed eyes"? The musician Annette von Droste-Hülshoff and the problem of professionalisation, Archiv für Musikwissenschaft XLVIX 1992, H. 1

Trapped feelings. Annette von Droste-Hülshoff as a musician, in : Ortrun Niethammer and Claudia Belemann (eds.), Ein Gitter aus Musik und Sprache. Feminist analyses of Annette von Droste-Hülshoff, Paderborn etc. 1992

Institutional training opportunities for female musicians in the first half of the 19th century, in: Freia Hoffmann and Eva Rieger (eds.), Von der Spielfrau zur Performancekünstlerin. In search of a musical history of women, Kassel 1993

Between "German cultural heritage" and rock musical. Music lessons at the German School in Milan, in: Musik und Unterricht 1993, H. 22

Music in the music schools? School music in the dilemma between cost-cutting measures and the false ideal of the musically successful child, in: Musik und Unterricht 1993, H. 23

"Some difficulties". Dealing with biographies in music didactics, in: Musik und Unterricht 1994, H. 26

Twenty years of university music teacher training. An attempt at a critical review, in: Revision der Lehrerbildung. New reflections on the occasion of the congress on 200 years of teacher training in Oldenburg [1993], edited by Hilde Günther-Arndt and Hans-Dietrich Raapke, Oldenburg 1995

"Germania" for bass, choir and orchestra WoO 94, in: Albrecht Riethmüller, Carl Dahlhaus and Alexander L. Ringer (eds.), Beethoven. Interpretationen seiner Werke, 2 vols., Laaber 1994. vol. 2

Music for Duncker's "Eleonore Prohaska" Wo0 96, in: see above.

"Es ist vollbracht" for bass, choir and orchestraWo0 97, in: see above.

(with Peter Schleuning) "Die Qualen und die Seligkeit der Liebe". Tchaikovsky as a homosexual composer and his 4th Symphony, in: Musik und Unterricht 1995, H. 32

Segregations, incorporations, conquests. Musicology before and after 1945, in: Frauen und Nationalsozialismus. Historical and cultural-historical positions, edited by Ortrun Niethammer, Osnabrück 1996

Grete Sehlmeyer, in: Frauen machen Politik. Parliamentarians in Lower Saxony, edited by Bärbel Clemens, Hanover 1996

The Viennese composer and pianist Leopoldine Blahetka (1809-1885). Between classical tradition and market-driven virtuosity, in: Ich fahre in mein liebes Wien. Clara Schumann: Facts, Images, Projections, Congress Report Vienna 1996, ed. by Elena Ostleitner and Ursula Simek (= Musikschriftenreihe Frauentöne vol. 3), Vienna 1996

Strong women, dubious heroes: Mozart's Don Giovanni, in: Ilse Dröge-Modelmog et al. (eds.), Frauen- und Geschlechterforschung. Positioning and Perspective. Documentation of the Women's Studies at the University of Oldenburg from 17-21 June 1996, Oldenburg 1997

Hanns Eisler as music pedagogue, in: Contributions to musicology and music pedagogy. Festschrift für Rudolf Weber zum sechzigsten Geburtstag, ed. by Hans-Joachim Erwe and Werner Keil (= Hildesheimer Musikwissenschaftliche Arbeiten Bd. 4), Hildesheim 1997

Courtly representation and individual expression. The music of Margravine Wilhelmine of Bayreuth, in: Musik und Unterricht 1998, H. 48

(with Christin Heitmann and Katharina Herwig) Die Werkausgabe Louise Farrenc, in: Einblicke. Forschungsmagazin der University of Oldenburg 1998, No. 27

Gender struggle in tones? On the discussion about the construction of femininity and masculinity in music, in: Frauen Körper Kunst. Frauen- und Geschlechterforschung bezogen auf Musik, Tanz, Theater und Bildende Kunst, Vol. II: Dokumentation von Gastvorträgen und -kursen 1995 - 1998, Kassel 1999

Traditions, Obstacles, Dissonances - 200 Years of Music Studies by Women, in: Frauentöne - Beiträge zu einer ungeschriebenen Musikgeschichte, ed. by Alenka Barber-Kersovan, Annette Kreutziger-Herr and Melanie Unseld (= Forum Jazz Rock PopBd. 4), Karben 2000

Food for thought, objections, alternatives. Eva Rieger's contribution to a feminist musicology, in: Freia Hoffmann, Jane Bowers and Ruth Heckmann (eds.): Frauen- und Männerbilder in der Musik. Festschrift for Eva Rieger on her 60th birthday, Oldenburg 2000, pp. 11 - 20

The dream of a place of one's own. On the opening of the Sophie Drinker Institute in Bremen (D), in: clingKlong. Journal of the Women's Music Forum Switzerland FMF 2002, No. 48

Music learning male - female. Five theses, in: Üben und Musizieren XIX 2002, H. 5

Female musicians around Mozart. A new look at an old topic, in: Musik und Leben. Freundesgabe für Sabine Giesbrecht zur Emeritierung, ed. by Hartmut Kinzler (= Schriftenreihe des Fachbereichs Erziehungs- und Kulturwissenschaften der Universität Osnabrück Vol. 18), Osnabrück 2003

"Art under the optics of life". Sabine Giesbrecht's writings on music history and music education, in: Musik und Leben. Freundesgabe für Sabine Giesbrecht zur Emeritierung, ed. by Hartmut Kinzler (= Schriftenreihe des Fachbereichs Erziehungs- und Kulturwissenschaften der Universität Osnabrück Bd. 18), Osnabrück 2003

Louise Farrenc. History of a Discovery, in: clingKlong Winter 2003, No. 50

Problems of perception: Beethoven and the women, in: The "male" and the "female" Beethoven. Report on the International Musicological Congress from 31 October to 4 November 2001 at the Berlin University of the Arts, edited by Cornelia Bartsch, Beatrix Borchard and Rainer Cadenbach, Bonn 2004

The piano teacher. Caroline Krähmer and a literary stereotype, in: Musik und Biographie. Festschrift for Rainer Cadenbach, edited by Cordula Heymann-Wentzel and Johannes Laas, Würzburg 2004

Integration as a matter of course: Training music teachers at the University of Oldenburg, in: Die Zukunft der Lehrerbildung. Documentation of a conference at the Evangelische Akademie Loccum from 14 to 16 March 2003, edited by Andrea Grimm (= Loccumer Protokolle 11/03), Loccum 2004

Promotion of young artists at the Sophie Drinker Institute, in: How useful are women artists' networks TODAY? Congress documentation 22/23 September 2003 at the Hanover University of Music and Drama, edited by Kathrin Beyer and Birgit Fritzen, Hanover [2004]

Amazons with brass instruments. Adolphe Sax and the healing influence of pulmonary gymnastics, in: üben & musizieren H. 5, October/November 2008

(with Jannis Wichmann) Careers with obstacles. Professional harp and guitar players in the 19th century, in: Phoibos 2 (2012)

(with Christine Fornoff) "'No Lady need apply' or 'In rock you can't use the pedals'". Women organists on the path to professionalisation, in: Freiburger Zeitschrift für Geschlechter Studien, special issue Musik und Genderdiskurs, 1 (2012)

In close contact? Reflections on biographies, in:auf/be/zu/ein/schreiben. Practices of Knowledge and Art, ed. by Juri Giannini, Katharina Bleier, Michael Gerzabek and Annegret Huber, Vienna 2014

Networks of female musicians in Paris and London, in: Female musicians and their networks in the 19th century, ed. by Annkatrin Babbe and Volker Timmermann (= Schriftenreihe des Sophie Drinker Instituts Bd. 12), Oldenburg 2016, pp. 149-161

The pedagogue, pianist and composer Elise Müller and the rediscovered "Plan einer weiblichen Lehr- und Erziehungsanstalt" by Wilhelm Christian Müller, in: Female Musicians and their Networks in the 19th Century, ed. by Annkatrin Babbe and Volker Timmermann (= Schriftenreihe des Sophie Drinker Instituts Bd. 12), Oldenburg 2016, pp. 203-223

(with Annkatrin Babbe and Volker Timmermann) Salon and Public. Boundaries and permeability for female instrumentalists on the path to professionalisation, in: La " condition féminine " . Feminismus und Frauenbewegung im 19. und 20. Jahrhundert/Féminismes et mouvements de femmes aux ^XIXe siècles, ed. by Franç oise Berger and Anne Kwaschik, Stuttgart 2016, pp. 253- 266

(with Volker Timmermann), Im Spannungsfeld von "privat" und "öffentlich".
Musikalische Salons im deutschsprachigen Raum und in Paris, in: Beitragsarchiv zur Jahrestagung der Gesellschaft für Musikforschung Halle/Saale 2015 - Musikwissenschaft: die Teildisziplinen im Dialog, ed. by Wolfgang Auhagen and Wolfgang Hirschmann[schott-campus.com/gfm-jahrestagung-2015], Mainz 2016 [Schott Campus, urn:nbn:de:101:1-201705056411]

Frischer Wind in der Musikdidaktik, in: Geschichte der Pädagogik an der Universität Oldenburg in Autobiographien Vol. 3, Oldenburg 2018, pp. 44 - 74. The same in the online publication series of the Sophie Drinker Institute No. 2, www.sophie-drinker-institut.de/online-schriftenreihe

(with Annkatrin Babbe) "Entstellte Gesichter, aufgeblasene Backen und 'Ophicleidengeplärr'. On the difficult beginnings of women on brass instruments", in: Vom Serpent zur Tuba. Entwicklung und Einsatz der tiefen Polsterzungeninstrumente mit Grifflöchern und Ventilen, ed. by Christian Philipsen, Monika Lustig and Ute Omonsky (= Michaelsteiner Konferenzberichte 83), Augsburg and Michaelstein 2019, pp. 299-315.

Social and geographical origins of students using the example of Sondershausen and Strasbourg, in: Conservatory education from 1795 to 1945. Contributions to the Bremen conference in February 2019, ed. by Annkatrin Babbe and Volker Timmermann (= Schriftenreihe des Sophie Drinker Instituts 17), Hildesheim 2021, pp. 229-242.

On the way to university. Institutional education in the German-speaking world, in: Auf dem Weg zur Kunstuniversität: das Kunsthochschul-Organisationsgesetz von 1970, ed. by Susanne Prucher, Silvia Herkt, Susanne Kogler, Severin Matiasovits and Erwin Strouhal (= Publications on the history of the Mozarteum University Salzburg 15), Vienna 2021, pp. 24-35.

"The meddling of women in all sorts of areas in which they do not belong". On the history of women's music studies in the 19th century, in: Musikwissenschaft der Vielfalt. Festschrift for Rebecca Grotjahn on her 60th birthday, edited by Joachim Iffland, Johanna Imm, Nina Jaeschke and Sarah Schauberger, Munich 2021, pp. 209 -220

(with Christiane Barlag, Doris Eickhoff, Carola Bethge and Annkatrin Babbe) Teaching in the context of the women's movement, in: Die Tonkunst July 2022, p. 317 - 326

"Promotion of the arts and popular education". The establishment of seminars for vocal and instrumental teachers at conservatoires in German-speaking countries, in: Ivo Berg and Freia Hoffmann (eds.), Das Lehren lernen. Instrumental pedagogy on the way into the 20th century, Mainz 2022, pp. 31 - 46

"Late modernisation. Women at the Academy for Church and School Music 1922 - 1944", in: 200 Jahre Institut für Kirchenmusik Berlin (1822 - 2022), https://www.institut-kirchenmusik-berlin.de

Louise Farrenc. Critical edition. Orchestral and chamber music and selected piano works, edited by Freia Hoffmann in collaboration with Christin Heitmann and Katharina Herwig, 14 volumes, Wilhelmshaven 1998 - 2003

Louise Farrenc, Piano Trios No. 3 in E flat major op. 44 and No. 4 in E minor op. 45, presented by Freia Hoffmann (= Critical Edition. Orchestral and chamber music and selected piano works, edited by Freia Hoffmann in collaboration with Christin Heitmann and Katharina Herwig Vol. II/5), Wilhelmshaven 2000

Louise Farrenc, Piano Trios No. 1 in E flat major op. 33 and No. 2 in D minor op. 34, presented by Freia Hoffmann (= Kritische Ausgabe. Orchestral and chamber music and selected piano works, edited by Freia Hoffmann in collaboration with Christin Heitmann and Katharina Herwig Vol. II/5), Wilhelmshaven 2001

in: Das Argument, Jahrbuch für Volksliedforschung, Das Orchester, Neue Musikzeitung, Zeitschrift für Musikpädagogik, Musik und Unterricht, Neue Zeitschrift für Musik, Zeitschrift für Musiktheorie, Jahrbuch Musik und Gender, info-netz-musik and others.

Art. Geschlechtsspezifische Musikpädagogik, in: Neues Lexikon der Musikpädagogik. Subject section, edited by Siegmund Helms, Reinhard Schneider, Rudolf Weber, Kassel 1994

Art. Kinkel, Johanna, in: New Dictionary of Music Education. Personenteil, ed. by Siegmund Helms, Reinhard Schneider, Rudolf Weber, Kassel 1994

Art. Blahetka, Leopoldine, for The New Grove. Dictionary of Music and Musicians. Second edition, ed. by Stanley Sadie, vol. 3, London 2001

Art. Blahetka, Leopoldine, for Music in History and the Present. Second edition, ed. by Ludwig Finscher, Personenteil vol. 3, Kassel etc./Stuttgart/Weimar 2000

Art. Cristiani, Lise, for Music in History and the Present. Second edition, ed. by Ludwig Finscher, Personenteil vol. 5, Kassel etc./Stuttgart/Weimar 2001

and numerous articles in the online encyclopaedia "Europäische Instrumentalistinnen des 18. und 19. Jahrhunderts" www.sophie-drinker-institut.de/lexikon

1990 -1997 Co-editor of "Musik und Unterricht", Friedrich Verlag Velber.

Responsible editor:
H. 5, 1990 "Musik - Theater - Schule"
H. 15, 1992 "Sprechen über Musik"
H. 17, 1992 "Filmmusik"
H. 19, 1993 "Musik - Bild"
H. 26, 1994 "Biographen"
H. 32, 1995 "Liebe und Sexualität"

Since 2005 Sophie Drinker Institute series published by BIS-Verlag Oldenburg

Vol. 1 Dorothea Schenck: "Très douée, bonne musicienne". The French composer Mel Bonis (1858-1937), Oldenburg 2005

Vol. 2 Rebecca Grotjahn and Christin Heitmann (eds.): Louise Farrenc and the reception of classical music in France, Oldenburg 2006

Vol. 3 Thomas Beimel: In the distance: a luminous body. Reflections on works by Karol Szymanowski, Hans-Werner Henze and Myriam Marbe, Oldenburg 2006

Vol. 4 Marion Gerards and Freia Hoffmann: Music - Women - Gender. Catalogue of books 1780 - 2004, Oldenburg 2006

Vol. 5 Anja Herold: Pleasure and frustration in instrumental playing. Umbrüche und Abbrüche im musikalischen Werdegang, Oldenburg 2007 (Diss. phil. Univ. Oldenburg 2007)

Vol. 6: Claudia Schweitzer: "... is, by the way, highly recommendable as a teacher". Kulturgeschichte der Clavierlehrerin, Oldenburg 2008 (Diss. phil. Univ. Oldenburg 2007)

Vol. 7: Jenny Kip: "More poetry than in ten Thalbergs". The pianist Marie Pleyel (1811- 1875), Oldenburg 2010

Vol. 8: Annkatrin Babbe: "An orchestra the likes of which had never before been seen or heard in Europe". The "First European Ladies Orchestra" by Josephine Amann-Weinlich, Oldenburg 2011

Vol. 9: Monika Tibbe (ed.): Marie Stütz. Records of a travelling musician. Quellentexte und Kommentare, Oldenburg 2012

Vol. 10: Michaela Krucsay: Zwischen Aufklärung und barocker Prachtentfaltung. Anna Bon di Venezia and her family of "operists", Oldenburg 2015 (Diss. phil. 2012)

Vol. 11: Annkatrin Babbe: Clara Schumann and her students at the Hoch'sches Konservatorium in Frankfurt a. M. Oldenburg 2015

Vol. 12: Annkatrin Babbe and Volker Timmermann (eds.): Female musicians and their networks in the 19th century, Oldenburg 2016

Vol. 13: Freia Hoffmann and Volker Timmermann (eds.): "Such a splendid misery is the artistic profession!" From the diary of the violoncellist Rosa Suck Vienna 1859 and Paris 1866, Oldenburg 2017

Vol. 14: Volker Timmermann: "... like a man with a wooden spoon". Violinists around 1800 Oldenburg 2017 (Diss. phil. Oldenburg 2014)

Vol. 15: Monika Tibbe: "Emanzipation der Tat". Mary Wurm - Pianist, Composer, Conductor, Music Writer, Oldenburg 2018

Vol. 16: Cordelia Miller: Musikdiskurs als Geschlechterdiskurs im deutschen Musikschrifttum des 19. Jahrhunderts, Oldenburg 2019 (Habilitationsschrift Rostock 2019)

Vol. 17: Annkatrin Babbe and Volker Timmermann (eds.), Konservatoriumsbildung von 1795 bis 1945. Contributions to the Bremen conference in February 2019, Hildesheim 2021

Vol. 18: Anna-Christine Rhode-Jüchtern, Maria Leo (1873-1942). Pioneer of a new music education, Hildesheim 2021