Prof Dr Rainer Grübel

Prof Dr Rainer Grübel

1. monographs

  • 1981: Russian Constructivism. Artistic conceptions, literary theory and cultural context. Wiesbaden (=Opera Slavica NF 1) (243 pages)
  • 1995: Sirens and Comets. Axiology and history of the literary motifs hair star and water woman in Slavic and other European literatures. (=Slavische Texte und Abhandlungen; 10) Frankfurt (M.) etc. (478 pages)
  • 2000: The change in the image of the author in Russian modernism. Oldenburg (= Bibliotheksgesellschaft Oldenburg. Vorträge, Reden, Berichte No. 30) (40 pages)
  • 2001: Literary axiology. On the theory and history of aesthetic value in Slavic literatures. Wiesbaden (=Opera slavica NF 40) (640 pages)
  • with R. Grüttemeier, H. Lethen 2001: Orientation in Literary Studies. What it can do, what it should do. (= rowohlts enzyklopädie; 55606) Reinbek (224 pages)
  • with A. Bogusławski, S. Grubitzsch and G. Hentschel 2001: Reflexionen über die Definierbarkeit des Wissens: Beiträge zur Ehrenpromotion von Andrzej Bogusławski. Oldenburg (= Oldenburg University Speeches) (47 pages)
  • 2003: At the limits of modernity. The thinking and writing of Vasilij Rozanov. Munich (684 pages)
  • with R. Grüttemeier, H. Lethen 2005: BA-Studium Literaturwissenschaft. A textbook. (= rowohlts enzyklopädie; 55667) Reinbek (208 pages)
  • 2019: Vasily Rosanov. A Russian Life from the Tsarist Empire to the October Revolution. Münster: Aschendorff. 1072 pages. (ISSN 2365-015X)
  • with Vera Pavlova 2021: Nebesnoe životnoe Stichi - The Heavenly Beast. Verses. Translated from the Russian by Rainer Grübel. Oldenburg: BIS-Verlag, 524 pages. ISBN 978-3-8142-2396-4

2nd editions

  • 1973: Jurij M. Lotman, The Structure of the Artistic Text. Edited with an afterword and an index by Rainer Grübel. Translated from the Russian by R. Grübel, W. Kroll and H.-E. Seidel (=edition suhrkamp; 582) Frankfurt a.M. (Afterword pp. 452-459)
  • 1975: Jurij M. Lotman, Die Analyse des poetischen Textes. Edited, introduced and translated by Rainer Grübel (=Scriptor Taschenbücher p 38) Kronberg (Introduction pp. I-X)
  • 1979: Michail M. Bachtin, The Aesthetics of the Word. Edited and introduced by Rainer Grübel. Translated from the Russian by Rainer Grübel and Sabine Reese (=edition suhrkamp 1976) Frankfurt a.M.
  • 1979 [with G. Erler, K. Mänicke-Gyöngyösi, P. Scherber]: From the Revolution to the Writers' Congress. Entwicklungsstrukturen und Funktionsbestimmungen der russischen Literatur und Kultur 1917-1934. Wiesbaden (=Veröffentlichungen des Osteuropainstituts der Freien Universität Berlin)
  • 1984: Russian Narrative. Russian Short Story. Russkij Rasskaz. Utrecht Symposium on the theory and history of Russian narrative in the 19th and 20th centuries. Amsterdam (=Studies of Slavic Literature and Poetics 6) (Introduction pp. IX-XVIII)
  • 1989: [with Th. D'Haen / H. Lethen]: Convention and Innovation in Literature. Amsterdam (=UPAL 24) (Introduction pp. VII-XXII)
  • 1993: Russian Literature at the Turning Point from the 19th to the 20th Century. Oldenburg Colloquium. Amsterdam (Introduction pp. III-IX)
  • 1995: [with P. Burke, A. Labrie]: De veerkracht van de geestesweetenschappen. Groningen (62 pages)
  • 1996: [with Georgij Odinokov]: Russkaja literatura i religija. Novosibirsk (=Filologičeskie iskanija, vol. I)
  • 2001: Vladimir Biti, Literary and Cultural Theory. A handbook of contemporary concepts. Reinbek. Edited in German by Ljiljana Šarić and Wiebke Wittschen under the direction of Rainer Grübel. Hamburg
  • 2006: [with Gun-Britt Kohler]: Gift and Sacrifice in Modern Russian Literature and Culture. Oldenburg [= Studia Slavica Oldenburgensia 14]
  • 2007: Michail Geršenzon. His Correspondences and Late Works as a Focus of Russian High Modernism and Russian Revolution. Oldenburg [= Studia Slavica Oldenburgensia 15]
  • 2008: [with Gun-Britt Kohler & Hans-Henning Hahn]: Habsburg and the Slavia. Frankfurt am Main
  • 2008: [with Edward Kowalski, Ulrich Schmid]: Michail M. Bachtin, Author and Hero in Aesthetic Activity. Frankfurt am Main
  • 2009: Wassili Rosanow, Dostojewskis Legende vom Großinquisitor. Oldenburg
  • 2017: [with Sylvia Sasse and Renate Lachmann]: Michail Bachtin, Speech Genres. Series: Batterien Bd. NF 028, Berlin: Matthes und Seitz 2017. ISBN 978-3-95757-272-1

3. essays

1970-1999

  • 1973: Genij - Gejne. On the structure and the structure-forming function of a rhyme in the poem 'Evrejskij vopros' by Il'ja Sel'vinskij. In: The World of the Slavs XVIII, 163-189
  • 1976a: On the problems of the concept of structure in literary modelling. In: Grathoff, R., W. Sprondel (eds.), Maurice Merleau-Ponty und das Problem der Struktur in den Sozialwissenschaften. Stuttgart, 284-318
  • 1976b: Bertolt Brecht 'Against Seduction'. Attempt at an interpretation. In: Kimpel, D., B. Pinkerneil (eds.), Modell der Interpretation. Kronberg, 284-318
  • 1976c: Zu problematiku pojma strukture u književnoznanstvenom modeliranju. Umjetnost riječi XXI, 47-65
  • 1978a: Forsocy (formalisti sociolozi). Skica formalnosciološkog metoda u sovetskoj nauci o kniževnojsti i kniževnoj kritici dvadesetih godina. In: Izraz XXXII, 794-824
  • 1978b: Between 'Lyre' and 'Drum'. On the function of two topoi in the interrelation of structure and self-understanding of Russian avant-garde poetry. In: Wiener Slawistischer Almanach II, 25-57
  • 1978c: De theorie van het proza en de literaire evolutie bij der Russische formalisten. Brussels.
  • 1979a: The literary constructivists. An attempt at the interrelationship between the organisation, function and production of a literary group. In: Erler, G. et al. (eds.), Von der Revolution zum Schriftstellerkongreß. Wiesbaden, 204-229
  • 1979b: The Forsocy (Formalist Sociologists). Drafts of a formal-sociological method in Soviet literary criticism of the 1920s. In: Erler, G. et al. (eds.), Von der Revolution zum Schriftstellerkongreß. Wiesbaden, 120-157
  • 1979c: Michail M. Bachtin. Biographical sketch. In: M.M. Bakhtin, The Aesthetics of the Word. Frankfurt a.M., 7-20
  • 1979d: The Aesthetics of the Word in Mikhail Bakhtin. In: M.M. Bakhtin, The Aesthetics of the Word. Frankfurt a.M., 21-89
  • with K. Mänicke-Gyöngyösi 1979: Aspekte des soziokulturellen Wandels und der literarischen Evolution in der Sovetunion (1917-1934). In: Erler, G. et al. (eds.), Von der Revolution zum Schriftstellerkongreß. Wiesbaden, 3-32
  • 1980a: 'Physicists and lyricists'. On the contextuality, in-textuality and intertextuality of the topos of the 'two cultures' in Soviet poetry of the 1960s. In: Voz'mi na radost'. In Honour of Jeanne van der Eng-Liedmeier. Amsterdam, 207-229
  • 1980b: The Early Work of Il'ja Sel'vinskij: The Outline of a Constructivist Poetics. (Part 1). Vienna Slavonic Almanac VI, 83-107
  • 1981a: Woord, bewustzijn en daad. Enkele opmerkingen over het fantastisch realisme van Dostojevskij en zijn plaats in de Europese cultuur van de 20e eeuw. In: Maatstaf 1, 138-154
  • 1981b: K pragmatike literaturnych manifestov russkogo avangardizma. In: Flaker, A., D. Ugrešić (ed.), Kniževnost, avangarda, revolucija. Zagreb (=Umjetnost riječi XXV), 59-76
  • 1981c: Intertekstualnost, dialogičnost i ambivalentnost estetskog čina. In: Kniževna reč 164, 6-7; 165, 11
  • 1982: On the relationship between method, concept of value and judgement in the semiotic art theory of the Leningrad Bakhtin circle. In: Lenz, B., B. Schulte-Middelich (eds.), Beschreiben, Interpretieren, Werten. Munich (=Münchner Universitätsschriften, Reihe Philosophische School 25), 95-133
  • 1983a: Artistic structure, aesthetic function and aesthetic value in the linguistic work of art. In: van Holk, A. (ed.), Dutch Contributions to the IX International Congress of Slavists. Amsterdam, 43-82
  • 1983b: The Birth of the Text from the Death of Texts. Structures and Functions of Intertextuality in Dostoevsky's Novel 'The Brothers Karamazov' in the Light of its Motto. In: Schmid W., W.-D. Stempel (eds.), Dialogue of Texts. Hamburg Colloquium on Intertextuality. Vienna, 205-171
  • 1983c: The 'other world' in Dostoevsky's fantastic realism and the concept of 'possible worlds' in Leibniz and Kripke. A contribution to the theory and history of poetic reference. In: Amsenga, B.J. et al. (eds.), Miscellanea Slavica. To Honour the Memory of Jan M. Meijer. Amsterdam, 265-302
  • 1984a: The triadic practice of signs in Dostoevsky's fantastic realism. In: Oehler, K. (ed.), Zeichen und Realität. Proceedings of the 3rd Semiotic Colloquium, Hamburg 1981, Tübingen, 487-496
  • 1984b: Narrative Aisthesis of 'First Love': Memory vs. Repetition. On the topics and intertextuality of the narratives 'Pervaja ljubov' by Turgenev and 'Vymysel' by Gippius. In: Grübel, R. (ed.), Russische Erzählung. Russian Short Story. Russkij rasskaz. Utrecht Symposium on the Theory and History of Russian Narrative in the 19th and 20th Centuries. Amsterdam, 153-194
  • 1984c: Constructivism and constructivist phenomena in the South Slavic literatures in relation to Russian constructivism. In: Döring, J. R. et al. (eds.), Text Symbol Weltmodell. Munich, 234-266
  • 1984d: The lyrical ego on the trapeze. Textual, cyclical and work-immanent coherence in Vesna Parun's volume of poetry 'Salto mortale'. In: van Baak, J. et al. (eds.), Festschrift André van Holk, Amsterdam, 451-474
  • 1984d: Ruski knijiževni konstruktivizam. In: Flaker, A., D. Ugrešić (ed.), Pojmovnik ruske avangarde. Zagreb, 167-179
  • with B. Amsenga 1984: On the semiotics of the topos. In Borbé, T. (ed.), Semiotics Unfolding. Proceedings of the Second Congress of the International Association for Semiotic Studies, Vienna July 1979. Berlin, 3-10
  • 1985a: Russian constructivism. In: Russian Literature 1985/1, 9-20
  • 1985b: Kan-Fun (Konstruktivizam-funkcionalizam). In: Flaker, A., D. Ugrešić (ed.), Pojmovnik ruske avangarde. Vol. 3, Zagreb, 121-133
  • 1986a: Hans / Jean Arp and the Russian avant-garde. In: Laschen, G. (ed.), Hans / Jean Arp. Munich (= Text and Critique 92), 51-65
  • 1986b: The Montage of Codes and Genres as Secondary Syncretism in Khlebnikov's 'Zangezi'. The Construction of a Text and the Problem of 'Gesamtkunstwerk'. In: Weststeijn, W. (ed.), Velimir Khlebnikov (1885-1922): Myth and Reality. Amsterdam (=Studies in Slavic Literature and Poetics VIII), 399-374
  • 1987a: Value modelling in mythical, post-mythical and remythified discourse. In: Schmid, W. (ed.), Mythos in der slavischen Moderne. Vienna (= Wiener Slawistischer Almanach; Sonderband 20), 37-59
  • 1987b: Kan-Fun. (Konstruktivizm-funkcionalizm). In: Russian Literature 1987, 51-62
  • 1987c: In the gears of time and in the garden of words. Notes on the lyrical work of J. Jevtuschenko, A. Voznesenskij and B. Akhmadulina. In: Reading Circle. Literaturmagazin 28, Wiener Zeitung
  • 1987d: The Personal Pragmatic Institutions of Poetic Discourse. In: Zavala, I. M., M. Diaz-Diocaretz, Th. A. Van Dijk (eds.), Approaches to Discourse, Poetics and Psychiatry. Amsterdam, 149-170
  • 1988a: Les images de l'esprit. On the symbolism of Lucien Billy's images. In: Lucien Billy. The pictorial work. Vol. II. Rolandseck, 9-11
  • 1988b: Le Constructivisme. Ilia Selvinski. In: Ėtkind, E. et al. (eds.), Histoire de la littérature russe. Le XXe siècle. Vol. II: La Révolution et les années vingt. Paris, 742-764
  • 1988c: Aesthetic value between continuity and discontinuity. Bakhtin's contribution to a dialogical aesthetics. In: Journal for Slavic Studies XXXIII/4, 540-558
  • 1988d: Explicit and Implicit Value in Artistic Discourse. A contribution to semiotic axiology. In: Lachmann, R., I.P. Smirnov (eds.), Kryptogramm. On the Aesthetics of the Hidden. Vienna (= Wiener Slawistischer Almanach XXI), 109-134
  • 1988e: Grief over separation. A five-line elegy by Anna Akhmatova. In: Genres in the Slavic Literatures. Festschrift for Alfred Rammelmeyer. Wiesbaden, 443-492
  • 1989a: Convention and Innovation of Aesthetic Value: The Russian Reception of Aleksandr Puškin. In: D'haen, Th. et al. (eds.), Convention and Innovation in Literature. Amsterdam (= UPAL 24), 181-223
  • 1989b: Aksjologia przestrzeni w powieści Kaziemierza Brandysa 'Rondo'. In: Niedzielski, Cz. (ed.), Czas i Przestrzeń w prozie polskiej XIX i XX wieku. Toruń, 171-198
  • 1989c: The Problem of Value and Evaluation in Bakhtin's Writing. In: Russian Literature XXVI, 131-166
  • 1989d: Lokalni Princip. In: Flaker, A., D. Ugrešić (ed.), Pojmovnik ruske avangarde. Vol. VI, Zagreb, 119-127
  • 1989e: On the concept of aesthetic value in the aesthetic theories of Michail Bachtin, Jan Mukařovský and Roman Ingarden. In: K. Eimermacher (ed.), Issues in Slavic Literary and Cultural Theory. Bochum, 59-92
  • 1990a: Priem i ocenka. Aksiologičeskie zamečanija ob upotreblenii motiva 'komety' v russkoj literature. In: De Haard, E. et al. (eds.), Semantic Analysis of Literary Texts. To Honour Jan Van der Eng on the Occasion of his 65th Birthday. Amsterdam etc., 207-226
  • 1990b: Metamorphoses and Revaluations. Heiner Müller's dramatisation of motifs from Aleksandr Bek's prose text 'Volokolamskoe šosse'." In: Klussmann, P. G., H. Mohr (eds.), Plays and Reflections of Horror and Death. On the work of Heiner Müller. Bonn, 115-146
  • 1990c: Chans Arp i russkij avangard. In: Chans Arp. 1886-1966. skul'ptura I grafika. Gosudarstvennyj muzej izobrazitel'nych iskusstv imeni Puškina. (Exhibition catalogue) Moscow, 16-25
  • 1992: The Axiology of Symbolic and Allegorical Psychopoetics and its Destruction in the Melancholic Paraphrenia of Vasilij Rozanov. In: Hansen-Löwe, A. (ed.), Psychopoetik (= Wiener Slawistischer Almanach; Sonderband 31). Vienna, 117-194
  • 1993a: Vospominanie i povtorenie. Dve modeli povestvovanija na primere povestej 'Pervaja ljubov'' Turgeneva i 'Vymysel' Gippius. In Markovič, V., W. Schmid (ed.), Russkaja novella. Problemy teorii i istorii. Saint Petersburg, 171-194
  • 1993b: The cradle as grave, the grave as cradle. Axiological questions of the representation of time at the turn of the century. In: Grübel, R. (ed.), Russische Literatur an der Wende vom 19. zum 20. Jahrhundert. Oldenburg Colloquium. Amsterdam, 163-230
  • 1993c: Toska želanija - toska videnija. On the axiology of the lyrical subject in Michail Lermontov and its deconstruction by Vasilij Rozanov. In: Russian Literature XXXIII/4, 379-412
  • 1993d: Metaphrase, paraphrase and poetic variation. In: Graf, K. (ed.), Vom schwierigen Doppelleben des Übersetzers. Berlin, 149-166
  • 1993e: The epoch of Vasilij Rozanov. Problems of literary periodisation from the perspective of moving and stagnant time. In: Wiener Slawistischer Almanach XXXII, 129-173
  • 1994: Khlebnikov's Zangezi as a travesty of the liturgy. Secondary syncretic axiology of the Gesamtkunstwerk and the end of art. In: Günther, H. (ed.), Gesamtkunstwerk zwischen Synästhetisie und Mythos. (= Bielefelder Schriften zur Linguistik und Literaturwissenschaft; 3). Bielefeld, 107-174
  • 1995a: Zeugen und Erzeugen als Grenzgang und Grenzverschiebung zwischen Religion und Natur. On Vasilij Rozanov's concept of culture. In: Ebert, Chr. (ed.), Kulturauffassungen in der literarischen Welt Russlands. Berlin, 88-115
  • 1995b: The Rhetoric of the Soul in Vasilij Rozanov. On the transformation of Russian speech at the beginning of the 20th century. In: Müller, Th., J. Dyck, J. G. Pankau (eds.), "Nicht allein mit den Worten...". Stuttgart / Bad Cannstadt, 176-187
  • 1995c: In the mirror of laughter. As a preface. In: Nährlich-Slatewa, E. (ed.), Das Leben gerät aus dem Gleis. E.T.A. Hoffmann in the context of carnivalesque traditions. Frankfurt (M.) etc., 11-27
  • 1995d: Fantastičeskoe i real'noe v fokuse vozvyšennogo. Dva vida vosprijatija Gogolja v nemeckoj kul'ture. In: Vedel', G. (ed.), Nemeckaja i ukrainskaja literatura. Kiev, 58-83
  • 1995e: Completion without end? Genuine ambivalence of teleology or: Against tyrannical perfection. In: Poetica 1995/2, 55-96
  • 1995f: Locations on the margins. On the Russian Philosophy of Culture of the Present. In: Ackermann, A. et al. (eds.), Places of Thought. New Russian Philosophy. Vienna, 227-240
  • 1995g: Zeugen und Erzeugen als Grenzgang und Grenzverschiebung zwischen Religion und Natur: zum Kulturbegriff von Vasilij Rozanov. In: Ebert, Chr. (ed.), Kulturauffassungen in der literarischen Welt Russlands. Berlin, 88-115
  • 1996a: The author as counter-hero and counter-image. The Metonymy of Writing and the Vision of the End of Literature in Vasilij Rozanov. In: Städtke, K. (ed.), Dichterbild und Epochenwandel in der russischen Literatur des 20. Jahrhunderts. Bochum, 39-76
  • 1996b: Avtor kak protivo-geroj i protivo-obraz. Metonimija pis'ma i videnie konca iskusstva u Vasilija Rozanova. In: Markovič, V., W. Schmid (ed.), Avtor i tekst. Saint Petersburg, 334-386
  • 1996c: 'Zangezi' Khlebnikova kak kontrafaktura liturgii. Vtoričnaja sinkretičeskaja aksiologija sinteza iskusstv i konec iskusstva. In: Grjubel', R., V. Odinokov (ed.), Russkaja literatura i religija. Novosibirsk, 227-311
  • 1996d: Tracking. Epilogue. In: Brouwer, S. (ed.), Character in the Short Prose of Ivan Sergeevič Turgenev. (= Studies in Slavic Literature and Poetics; XV). Amsterdam, 275-283
  • 1996e: The Phantasm 'Other World' in Dostoevsky's Prose. On the tension between fiction and imagination. In: The World of the Slavs XLII/2, 325-326
  • 1996f: Vzvešivanie kak ocenivanie, ocenivanie kak vzvešivanie (iz predistorii literaturnoj aksiologii). In: Koncepcija i smysl. Sbornik stat'ej v čest' 60-letija professora V.M. Markoviča. Saint Petersburg, 365-373
  • 1997: Snos i cena. Dekonstruktivizm i aksiologija, ili: Soprotivlenie pročteniju Polja de Mana. In: Novoe literaturnoe obozrenie 23, 31-41
  • with I. Smirnov 1997: The History of Russian Culturosophy in the 19th and Early 20th Centuries. In: 'My Russia'. Literary conceptualisations and cultural projections. Munich (= Wiener Slawistischer Almanach; Sonderbd. 44), 5-18
  • 1998a: Gift, task, self-abandonment. On the genesis of the Soviet cult of personality from the death of the poet and the habitus of sacrifice. In: Städtke, K. (ed.), Welt hinter dem Spiegel. On the status of the author in Russian literature from the 1920s to the 1950s. Berlin, 139-204
  • 1998b: The uncertain last word. Writing his life: Rozanov's biography. In: Shahadat, Sh. (ed.), Lebenskunst - Kunstleben. Žiznetvorčestvo v russkoj kul'ture XVIII-XX. Munich, 141-167
  • 1998c: Molčanie o listopade kak novyj psalom. In: Literaturnoe obozrenie. (special ed. Gennadij Ajgi) 1998/5-6, 42-47
  • 1998d: Literature substitute, tangible art or pre-writing? Discourse pragmatics and structural forms, axiology and intentionality of Russian modernism (1893-1934). In: Van den Berg, H., R. Grüttemeier (eds.), Manifests: Intentionality. Amsterdam, 161-192
  • 1998e: Russian Formalism, Russian aesthetics of form and Bakhtin's conception. In: Rosner, R., K. Robering, Th. Sebeok (eds.), Semiotics. Ein Handbuch zu den zeichentheoretischen Grundlagen von Natur und Kultur. Vol. I. Berlin/New York (= Handbücher zur Sprach- und Kommunikationswissenschaft), 2233-2248
  • 1999a: Outlines of poetic language in Russian studies. In: Jachnow, H. (ed.), Handbuch der sprachwissenschaftlichen Russistik und ihrer Grunddisziplinen. Wiesbaden, 1245-1273
  • 1999b: Magic and Defence. Prolegomena to Vasilij Rozanov's image of Germany. In: Kissel, W., F. Thun, D. Uffelmann (eds.), Culture as Translation. Würzburg, 97-115

2000-2020

  • 2000a: The 'Vanished Picture', 'Living eyes', and a 'Fallen Angel'. Metaphysics of Light in Gogol's 'The portrait'. In: Wiener Slawistischer Almanach 45, 5-26
  • 2000b: The Aesthetics of the Victim in Brecht and in Russian Literature of the 20s and 30s. In: Red = Brown? Brecht Dialogue 2000(= Theatre of the Time, Research; 4). Berlin, 153-181
  • 2000c: Resentment instead of revolution: a hole in the life text of nature. In: Catalogue Avantgarde in het Noorden/Northwest. Avant-garde in the North / Northwest. Groningen, 67-78
  • 2000d: Quotations without end? Intertextuality and interdiscursivity in Russian postmodernism. In: Beekmann, K., R. Grüttemeier (eds.), Instrument Zitat. Amsterdam et al. (= Avantgarde critical studies 13), 239-278
  • 2000e: The sublime appearance of planned and planned reality and the reality of deception in Nabokov's novel 'The Despair' (Otčajanie): on the truth of the lie in an aesthetic sense. In: Smirnov, I. (ed.), Hypertext Otčajanie, sverchtekst Despair. Munich (= The World of the Slavs; special vol. 9), 71-102
  • 2000f: Culture as translation. In: Jekutsch, U. (ed.), Slavic Literatures in Dialogue. Festschrift for Reinhard Lauer on the occasion of his 65th birthday. Wiesbaden, 375-407
  • 2000g: A literary messiah from Odessa: Isaak Babel's counterfactuals of Hasidism and the Odessite context of Jewish-Russian culture. In: Hahn, H.-H., J. Stüben (eds.), Jüdische Autoren Ostmitteleuropas im 20. Jahrhundert. Frankfurt/M. et al. (= Mitteleuropa - Osteuropa; 1), 429-481
  • 2000h: The counterfactual of the artwork in Russian literature and art of the avant-garde. In: Asholt, W. et al. (eds.), Der Blick vom Wolkenkratzer. (Avant-garde; 14) Amsterdam et al., 313-348
  • with S. Levit, W. Krumbein 2000: Space and Time in the Works of V.I. Vernadsky." In: Biogeology 4, 377-396
  • 2001a: The text as embryo. From the Prehistory of Russian Minimalism: Vaailij Rozanov's Early Prose Miniatures. In: Goller, M., G. Witte (eds.), Minimalism. Between Emptiness and Excess. Vienna (= Wiener Slawistischer Almanach; Sonderbd. 51), 51-78
  • 2001b: Judenfreund - Judenfeind: Vasilij Rozanovs Judenbild: eine problematische ästhetische Imagologie mit aporetischem Sprung aus der Theorie in die Praxis. In: Mierau, S., F. Mierau (eds.), Werke in zehn Lieferungen / Pawel Florenski. (Appendix 2) Berlin, 7-58
  • 2001c: Greeting. In: Bogusławski, A. et al. (eds.), Reflections on the Definability of Knowledge. Oldenburg (= Oldenburg University Speeches), 7-13
  • 2001d: Paradoks kak figura myšlenija i figura reči v filosofii tragedii L'va Šestova. In: Markovič, V. (ed.), Paradoksy russkoj literatury. St Peterburg (= Peterburgskij sbornik; 3), 258-283
  • 2002a: Rozanov kak istorik Rossii. Meždu spaseniem i koncom mira. In: Weinstein, M. (ed.), La geste russe. Comment les Russes écrivent-ils l'histoire au XXe siècle. Aix en Provence, 122-149
  • 2002b: Filosofija neposredstvennoj svobody. Otricatel'naja aksiologija i otricanie filosofii znanija v absurdizme L'va Šestova. In: Ryklin, M., D. Uffelmann, K. Städtke (eds.), Uskol'zajuščijsjatekst. Russkaja filosofija v XX veke. Moscow, 15-49
  • 2003a: Astarte, Isis and Osiris on the Neva. The resacralisation of the secularised world in Rozanov's Egypt myth. In: Vienna Slavonic Almanac 50, 14-35
  • 2003b: Stereotypes and Imagotypes in Vasilij Rozanov's Image of Germany. In: Hahn, H.-H. et al. (eds.), Stereotypen in Kultur und Geschichte. (In print, to be published in Frankfurt a.M. in 2003, 42 pages)
  • 2003c: De andens død og jegets udødeligheid. Læsninger lg feillæsninger i Bachtins kommunikatiionsfilosofi. In: Møller Andersen, N., J. Lundquist (eds.), Smuthuller. Perpsektiver i dansk Bachtin-forskning. Copenhagen, 89-106
  • 2003d: Magic and Defence. Wassili Rosanow's ambivalent images of Germany. In: Herrmann, D., A. Volpert (eds.), Traum und Trauma. Russians and Germans in the 20th century. Munich, 60-116
  • 2003e: The Crisis of Language and the Languages of Crisis in Russian Modernity. In: Boeder, W. e.a. (eds.), Sprachliches Zeichen - Semantik - Ikonizität. In memory of Joseph P. Calbert. Oldenburg, 31-79 (= Oldenburger Universitätsreden; 148)
  • 2004a: The Hot Death of the Revolution and the Cold End of the Soviet Commune. Mythopoetics and New Objectivity in Andrei Platonov's negative utopia Čevengur. In: Baßler, M., E. Knaap (eds.), Die (k)alte Sachlichkeit. Origin and effects of a concept. Würzburg, 41-59
  • 2004b: "Ja k vam pišu [...]" - Medial transformations of narration. Tat'jana's love letter in Puškin's verse novel Evgenij Onegin, Petr Čajkovskij's opera of the same name and Martha Fienne's film of the same title. In: Fleishman, L., Ch. Gölz, A. Hansen-Löve (eds.), Analysing as interpreting. Wolf Schmid on his 60th birthday. Hamburg, 631-664
  • 2004c: Azy i uzy. The crisis of language and the languages of crisis in Russian modernism. In: Kacianka, R., P. Zima (eds.), Krise und Kritik der Sprache. Literature between late modernism and postmodernism. Tübingen, Basel, 149-169
  • 2004d: Forma i medium (sredstvo kommunikacii). Ich sootnošenie kak faktor, opredeljajuščij rol' i mesto literatury v pole kul'tury. In: Russian Literature LVI/2-4, 87-105
  • 2004e: Telesnoe vremja vojny i konstrukt russkogo ducha u Tolstogo. Otnošenija meždu telom, duchom i dušoj v romane Vijna i mir. In: van Baak, J., S. Brouwer (eds.), Telo, duch i duša v russkoj literature i kul'ture / Body, Mind and Soul in Russian Literature and Culture. (= Vienna Slavonic Almanac; 54). Vienna, 131-164
  • 2004f: Bakhtin and Heine in a carnivalistic dialogue. In: Wirkendes Wort 2004/2, 291-296
  • 2004g: Reduction and Complexion of Medium and Form in Time and Space. Russian literature and the visual arts of high modernism in an intercultural context. In: Aufschnaiter, B., D. Brötz (eds.), Russian Modernism Interculturally. From the Blue Flower to the Black Square. Innsbruck etc., 198-244
  • 2005a: Magic and Defence. Wassili Rosanow's ambivalent images of Germany. In: Eimermacher, K., A. Volpert (eds.), Stürmische Aufbrüche und enttäuschte Hoffnungen. Munich, 513-565
  • 2005b: La philosophie de la communication créative de Bakhtine et les problèmes de sa réception. In: Zbindende, K., I. Weber Henking (eds.), La Quadrature de Cercle Bakhtine. Traductions, Influences et remises en contexte. (= CLT; 45). Lausanne, 63-124
  • 2005c: Dialogue versus dialectic. Literary philosophising about athanasia and autothanasia in Fedor Dostoevskij, Vasilij Rozanov and Lev Šestov. In: Schulz, G. (ed.), Philosophie in literarischen und ästhetischen Gestalten. Oldenburg, 52-99
  • 2005d: From 'work of art' to 'text': the contra-facture of the symbolists' concept of artistic creation in art and literature of Russian Avant-gardism. In: Korthals-Altes, L., A. van Heusden (eds.), Aesthetic Autonomy: Problems and Perspectives. Leven, Paris, 37-57
  • 2005e: Tri jezične medija suvremene književnosti. In: Suvremena književnost i jezici Europe. 27 Zagrebački književni razgovori. Zagreb, 33-44
  • 2005f: A Russian Childhood (1856-1870) or: The Birth of Receptivity. Vasilij Rozanov in Vetluga and Kostroma. In: Wiener Slawistischer Almanach 55, 245-284
  • 2005g: Peterburgskaja poėtika bez peterburgskogo soderžanija? Otricanie i razrušenie, pustota i lišenie imeni kak priemy gorodskogo imagotipa v peterburgskom tekste Vasilija Rozanova. In: Schmid, W. & Markovič, V. (ed.), Suščestvuet li Peterburgskij tekst? Saint Petersburg, 235-275
  • 2005h: Tri jezične medija suvremene književnosti. In: Republika 10, 42-54
  • 2006a: A St Petersburg Legend in German Perspective. Dostoevsky's Tale of the Grand Inquisitor and its Rozanovian Interpretation in Relation to the Interpretations of Max Weber and Georg Lukács, Carl Schmitt and Paul Natorp. In: Franz, Norbert & Kirjuchina, Ljuba (eds.), Saint Petersburg - the " accurate German". Germans and Germans in the other Russian capital. Frankfurt a.M. etc., 141-166
  • 2006b: Absurd Theatre in Performance. F(r)actures and counterf(r)actures of the dramatic in Daniil Charms' Elizaveta Bam. In: Hennig, Anke, Obermayr, Brigitte & Witte, Georg (eds.), F(r)actures. Disturbed aesthetic presence in the avant-garde and late avant-garde. Vienna, 235-294 (= WSlA, special volume 63)
  • 2006c: Molčanie o listopade kak novyj psalom. In: Ajgi. Materialy, issledovanija,& ėsse. Vol.2, Moskva, 30-41
  • 2006d: Lev Šestov's philosophy of existential rupture. The Self and the Other in Exile. In: Kissel, W. et al. (eds.), Exclusion. Chronotopi der Ausgrenzung in der russischen und polnischen Literatur des 20. Jahrhunderts. Munich, 57-88
  • 2006e: Teatralicitet. Kraj habsburga u dramskom ciklusu Glembajevi Miroslava Krleže. In: Republika LXII/7-8, 88-113
  • 2006f: Teaching, translation and research in Jeletz (1887-1891). A chapter from Vasily Rosanov's biography. In: Bockholt, Volker et al. (eds.), Finis coronat opus. Commemorative publication for Walter Kroll on his 65th birthday. Göttingen, 99-116
  • 2006g: Stereotypes and Imagotypes in Vasilij Rozanov's Image of Germany. In: Hahn, H.-H. & Manková (eds.), National Perceptions and their Stereotyping. Frankfurt a.M., 319-369 (= Contributions to historical stereotype research)
  • 2006h: Gift and Sacrifice. Axiological perspectives in the Russian culture of modernity. In: Grübel, R. & Kohler, G.-B.(eds.), Gabe und Opfer in der russischen Literatur und Kultur der Modnerne. Oldenburg, 1-81(= Studia Slavica Oldenburgensia 14)
  • 2006i: The sacralisation of the body in Vasilij Rozanov's philosophy of life. In: Heidemann, G.(ed.), Körper in Literatur und Kunst. Festschrift for Hans Günther. 57-77(= Vienna Slavic Almanac 57)
  • 2006j: Ivo Andrić's historical novel The Chronicle of Travnik. The force field of great power interests disturbs a multicultural Bosnian city. In: Reports and research. Yearbook of the Federal Institute for Culture and History of the Germans in Eastern Europe 14, 187-226
  • 2007a: Langage poétique et mythes onomstiques chez Marina Tsvétaïeva. In: Weinstein, M. (ed.), Nom et choses. Le corps de l'écriture dans la modernité slave. Aix-en-Provence, 61-87
  • 2007b: Dialogics vs. dialectics. Creative tensions between speaking and thinking. In: Langner, R. et al. (eds.), Ordnungen des Denkens. Debates on philosophy of science and epistemology. Berlin, 133-151 (= Negotiations with the Present 2)
  • 2007c: Fire of the soul, ice of writing in Michail Geršenzon. In: Grübel, R. (ed.), Michail Geršenzon. His Correspondences and Late Works as a Focus of Russian High Modernism and Russian Revolution. Oldenburg, 9-16 (= Studia Slavica Oldenburgensia 15)
  • 2007d: Epistolary perspectivisation, literary self-reflection and dialogical dispute of values. Vasilij Rozanov's and Michail Geršenzon's correspondence. In: Grübel, R. (ed.), Michail Geršenzon. His Correspondence and Late Work as the Focus of Russian High Modernism and Russian Revolution. Oldenburg, 17-73 (= Studia Slavica Oldenburgensia 15)
  • 2007e: "Music is the shorthand of feeling" - "Muzyka - ėto stenografija čuvstv". Critique of a Russian reflexive phrase dating back to Lev Tolstoy in German translation with a sideways glance at "Music is the shorthand of emotion". In: Deutschmann, P. (ed.), Festschrift for Wolfgang Eismann on his 65th birthday. Vienna, 227-248
  • 2007f: Performations of love in Miroslav Krleža. In: Hodel, R.. (ed.), Representations of Love in Bosnian, Croatian and Serbian Literature. From the Renaissance to the 21st century. Frankfurt am Main, 267-281
  • 2007g: Does philosophical stupor cancel out poetic finality? Thanatopoetics and (Apo)Calypticism in Vasilij Rozanov. In: Thanatopoetics. The death of the poet. Poets of death. Vienna Slavic Almanac. Vol. 60, 2007, 197-236.
  • 2008a: Theatricality. Habsburg's end in the drama cycle "Glembajevi" ["The Glembays"] by Miroslav Krleža. In: Kohler, G.-B., Hahn, H.-H. & Grübel, R. (eds.), Habsburg and the Slavia. Frankfurt am Main, 209-245
  • 2008b: Performance art, narrative art and word art: the three media of literature. In: R. Grübel/W. Schmid (eds.), Wortkunst, Erzählkunst, Bildkunst. Festschrift for Aage A. Hansen-Löve. Munich 2008, pp. 38-54 (w)
  • 2008c: De receptie van Dostoevskij in de Nederlandse en de Vlaamse literat(u)ur(en) tijdens het interbellum. In: Ralf Grüttemeier and Jan Oosterholt (eds.), Een of twee Nederlandse literaturen? Contacten tussen de Nederlandse en de Vlaamse literatuur sinds 1830. Leuven, 47-68 (Dutch). (w)
  • 2008d: Bakhtin's philosophy of aesthetic action and its topicality. In: Michail Bachtin, Author and Hero in Aesthetic Activity. Frankfurt a.M., 317-351.
  • 2008e: SS u europskim književnostima. Poteške s književnim pamcenjem. In: Suvremena književnost i sjecanje. Zagreb, 86-97 (Croat.).
  • 2008f: SS in European Literatures. Problems with literary memory. In: Suvremena književnost i sjecanje. Zagreb, 98-109.
  • 2008g: Esthétique de la poésie et esthétique de la prose dans les œuvres de Gustave Chpet et de Mikhail Bakhtine. In: Gustav Chpet et son héritage aux sources russes du structuralisme et de la sémiotique. Slavica Occitania, no. 63-74, ed. by Maryse Dennes. Bordeaux, 43-50 (French). (w)
  • 2008h: Equivalence vs. ambivalence. The axiological basis of Khlebnikov's poetics. In: Eric de Haard, Wim Honselaar and Jenny Stelleman (eds.), Literature and Beyond. Festschrift for Willem G. Weststeijn on the Occasion of his 65th Birthday. Vol.1, Amsterdam, 263-273. (w)
  • 2008i: Abstraction and Hypostasis. The artefact as thing in Aleksej Cicerin's constructivism. In. Anke Henning/Georg Witte (eds.), Das dementierte Ding. = Wiener Slawistischer Almanach, Sonderbd. 71, Vienna, 197- 247. (w)
  • 2009a: Foreign (anthropological and ethnological) glances into known and unknown spaces of the motherland on Rozanov's Russian journeys. In: Wolfgang Kissel (ed.), Flüchtige Blicke. Re-readings of Russian travel texts of the 20th century. Bielefeld, 71-110 (w)
  • 2009b: Of Great Sinners and of Grand Inquisitors. In: Wassili Rosanow, Dostojewskis Legende vom Großinquisitor, Oldenburg 2009, 283-365.
  • 2009c: Preliminary remark. In: Wassili Rosanow, Dostojewskis Legende vom Großinquisitor. Oldenburg, 8-12.
  • 2009d: The counterfactual of prayer in Mikhail Lermontov and its resacralisation by Vasily Rozanov. In: Matthias Freise, Walter Kroll (eds.), M.Ju. Lermontov. Interpretations. Contributions to the Göttingen Lermontov Symposium of 15 March 2005 in honour of Reinhard Lauer. Wiesbaden 2009, 17-44.
  • 2009e: Life writing of the word. Life writing of the deed. Biography as border-crossing from the perspective of literary studies. In: Tobias Weger (ed.), Grenzüberschreitende Biographien zwischen Ost- und Mitteleuropa. Frankfurt a.M. etc., 47-66.
  • 2009f: Koncepcija russkoj literatury kak nacional'nogo javlenija v tvorčestve Rozanova. In: Nasledie V.V. Rozanova i sovremennost'. Materialy Meždunarodnoj naučnoj konferencii. Moscow, 25-33.
  • 2009g: Vo Vremja, vne vremeni i rjadom so vremenem. Kalendarnoe vremja u Velimira Chlebnikova, Daniila Charmsa i Vladimira Sorokina, in J.-Cl. Lanne (ed.), Velimir Xlebnikov, poète futurien. Velimir Khlebnikov, budetljanskij poėt. Lyon, (Russian) 386-406.
  • 2009h: Den vremden und den Kunden was si vil wol bekannt. Can a comparative view of the 'Nibelungen-Lied' contribute to answering the question of the authenticity of the 'Igor'-Lied'? In: Cord Meyer / Ralf Päsler, Matthias Janßen (eds.), Vorschen, denken wizzen. The value of precision in the "imprecise sciences". Festschrift for Uwe Meves. Stuttgart, 93-110.
  • 2009i: Emergence and Migration of the Concept of the Poetic in Eastern and Western Slavia. In: Christoph Lönig (ed.), The Potential of European Philologies. History, Performance, Function. Göttingen 2009, 107-116.
  • 2009j: V kotlovane prozy. Platonov, Rozanov i Dostoevskij na fone religii iskusstva. In: Vienna Slavic Almanac 63, 39-69
  • 2009k: Golod Gogolja - menju dvadcatogo veka. In: A. Flaker (et al., ed.), Golod i obžorstvo v russkoj kul'ture 20go veka. Zagreb 2009 (Russian, in print).
  • 2010a: "Krasnorečivej slov inych / Nemye razgovory". Ponjatie formy v sbornike GAChN Chdožestvennaja forma (1927) v kontekste koncepcij russkich formalistov, Gustava Špeta i Michaila Bachtina. In: Logos 1, 11-34
  • 2010b: "Ves' Gogol' - [...] pošlost' v smylse soderžanija. I [...] genij po forme [...]." Izobretenie Nikolaja Gogolja v kritičeskom diskurse Vasilia Rozanova. In: Szusza Heteny, Gogol'. Budapest (Russian in print).
  • 2010c: Dialogicity vs. intertextuality. Transformations of a concept through (re-)migration. In: Dietlind Hüchtker, Alfrun Kliems (eds.), Überbringen - überformen - überblenden. Theory transfers in the 20th century. Vienna, 187-206
  • 2010d: "Čajka" Čechova - nerazgadannyj šifr. In: S.A. Kibal'nik, V.B. Kataev (eds.), Obraz Čechova i čechovskoj Rossii v sovremennom mire. Saint Petersburg, 148-158
  • 2010e: "Beauty" versus "the beautiful". Aleksandr Bloks and Anna Akhmatova's poet(olog)ic dialogue from 1913-1914. In: Vienna Slavic Almanac 66, 175-219
  • 2010f: Contemporaneity, competition and combat. Facts and fiction about everybody and passiveness, orientalism and anaesthesia in Rozanov's view on Chekhov. In: O. Tabačnikova (ed.), Anton Chekhov through the eyes of Russian thinkers. London etc., 37-62
  • 2010g: "Without beginning, without end..." ("Bez načala, bez konca..."). Or: The beginning of the end of speech against logocentrism. In: The World of the Slavs LV, 1-26
  • 2010h: Ėstetika poėzii i ėstetika prozy v tvorčestve Gustava Špeta i Michaila Bachtina. In: Т. Ščedrina (ed.), Gustav Špet i ego filosofskoe nasledie. Moskva, 302-311
  • 2010i: Dostoyevsky's "Grand Inquisitor" from the perspective of literary studies - legend or parable? In: Gudrun Goes (ed.), The History of Crime... On Murder in the Novel World of Dostoevsky. Yearbook of the German Dostoevsky Society 16, 2009. Munich, 92-117
  • 2010j: Citation and Death - Cento and Bricolage. Two ethics of quotation using the example of Russian modernism. In: J. Jacob, M. Mayer (eds.), In the Name of the Other. The ethics of citation. Munich, 203-221
  • 2010k: Za vrijeme, izvan vremena i usporedo s vremenom (kalendarsko vrijeme u Velimira Hlebnikova, Daniila Harmsa I Vladimira Sorokina). In: J. Vojvodić (ed.), Kalendar. Zbornik radova. Zagreb, 119-138
  • 2010l: Gogoljeva glad - jelovnik dvadesetog stoleća. Gladovanie kao estetsgo saouništenie. In: Književna smotra XLII, 155, Zagreb, 87-98
  • 2010m: Gogoljeva glad - jelovnik dvadesetog stoleća. Gladovanie kao estetsgo saouništenie. In: J. Vojvodić (ed.), Hrana od gladi do prejedanja. Zagreb, 59-84
  • 2010n: Čary i zaščita. Dvojstvennoe obrazy Germanii v tvorčestvo Vasilija Rozanova. In: K. Ajmermacher, G. Bordjugova, A. Fol'pert (eds.), Rossija i Germanija v XX veke. Vol. 2, Burnye proryvy i razbitye. Russkie i nemcy v mežduvoennye. Moskva, 417-459
  • 2010o: Messianism v religii iskusstva russkogo modernizma. Izobrazitel'noe iskusstvo, filosofija, literatura i muzyka. In: Medial'no-diskursivnyj sintez v russkoj filosofii. Vienna (=Vienna Slavonic Almanac 76), 49-78
  • 2010p: Nerecepcija modeli Novoj veščestvennosti (New Objectivity) v russkoj kul'ture dvadcatych i tradcatych godov. In: S., Rolet (éd.), La Russie et les modèles étrangers. Lille, 217-231
  • 2010q: "Mimoletnoe": antropologičeskie i ėtnoločieskie stranstvija Vasilija Rozanova po (ne)izvestnym prostoram Rossii. In: W.-S. Kissel', Time G.A. (eds.), Beglye vzgljady. Novoe pročtenie russkich travelogov perveoj treti XX veka. Moscow, 58-81
  • 2011a: "Gordoe slovo: spravedlivost'" - "A proud word: justice". The discourse of justice in Tolstoy's novel War and Peace. In: Holger Kuße, Nikolaj Plotnikov (eds.), Pravda. Discourses of Justice in the Russian History of Ideas. Munich - Berlin, 39-74
  • 2011b: Border crossers between the Middle Ages and modern times, between West and East: Hryhorij Savič Skovoroda and the beginning of philosophy in Eastern Slavia. In: Gerhard Giesemann, Hans Rothe (eds.), School education and its further development. Commemorative volume on the 100th birthday of Alfred Rammelmeyer. Munich, 191-222
  • 2011c: "Samosoznanie" kul'tury v proekte "ISSD" Andreja Belogo i "sobytie bytija" v filosofii Michaili Bachtina. Kul'turosofija vs. Filosofskaja pragma. In: Russian Literature, 319-338
  • 2011d: Death-Philosophy - Death-Literature. The case of the Russian writer-philosopher Vasilij Rozanov. In: C. Misselhorn, S. Schahadat, I. Wutsdorff (eds.), Erkenntnis und Darstellung. Forms of Philosophy and Literature. Paderborn, pp. 203-234
  • 2011e: Real'nost' nerealizovannogo v istororii (russkoj) literatury i kul'tury. In: R. Bobrik, J. Urban, R- Mnich (eds.), "Obraz mira, v slove javlennyj". Sbornik v čest''' 70-letija Professora Eži Faryno. Siedlce, 189-200
  • 2011f: Normativity and Axiology in Mikhail Bakhtin's and Lev Karsavin's Philosophical Personalism. In: Alexander Haardt, Nikolaj Plotnikov (eds.), Das normative Menschenbild in der russischen Philosophie. Münster, 83-93
  • 2011g: "Čto (ne) delat'" - "What (not) to do"? Why norms and standards are currently a problem in Slavic studies, In: Journal of Literary Theory 5:2, 195-208
  • 2011h: "Gordoe slovo: spravedlivost'" - Discourse spravedlivosti v Romane L. Tolstogo "Vojna i mir". In: Nikolaj Plotnikov (ed.), "Pravda". Diskursy spravedlivosti v russkoj intellektual'noj istorii. Moscow, 97-129
  • 2012a: Literatura filosofii protiv filosofii literatury. Filosofskaja kritika literatury i literaturnaja kritika vilosofii v pozdnem tvorčestve Vasilija Rozanova. In: The World of the Slavs LVII, pp. 98-111
  • 2012b: Canon, cultural consciousness and cultural memory. Rupture, change and continuity in canons of 20th century Russian literature between 1984 and 2009. In: Matthias Beilein et al. (eds.), Kanon, Wertung und Vermittlung (=Literatur in der Wissensgesellschaft). Berlin, 41-58
  • 2012c: Imagotypes in Russian literature: Identity, transitivity, alterity. In: Brigitte Hansen-Kokoruš et al. (eds.), Sprachbilder und kulturelle Kontexte. St. Ingbert, 21-38
  • 2012d: Gogol's Hunger(s) - A Menu of the 20th Century. In: Journal for Cultural Studies Issue 1, 147-166
  • 2012e: Biedermeier in Russian literature? Difficulties with simplicity. In: A. Brockmann, J. Lebedewa (eds.), Kulturelle Grenzgänge. Festschrift for Christa Ebert on her 65th birthday. Berlin, 131-146
  • 2012f: Meždu vsemi stul'jami. Mesto Andreja Platonova v istorii russkoj literatury i mirovoj kul'tury. Между всеми стульями. Место Андрея Платонова в истории русской литературы и мировой культуры двадцатого века. In: Russian Literature 2, 201-222
  • 2012g: Council u europskom pjesništvu, prozi i drami dvadesetog stoleća. In: Republika 5, 20-32
  • 2012h: Images of Orient and Occident in Ivo Andrić's dissertation and his novel "Travnička Chronika" (The Chronicle of Travnik). In: W. Kissel (ed.), The East of the East. Orientalisms in Slavic Cultures and Literatures. Frankfurt et al., 389-410
  • 2012i: Evidence in the three media of literature. The SS in word art, narrative art and dramatic art. In: Wiener Slawistischer Almanach 69, 427-463
  • 2012j: Creatio ex nihilo (tvorčestvo iz ničego) ili bricolage (brikolaž)? Dva vida kreativnosti u Fedorova, Solov'eva, Berdjaeva, Bulgakova, Rozanova i Šestova. In: Concepts of creativity in Russian thought. Literature and Philosophy 2. ponjatie kreativnosti v russkoj mysli. Literatura i filosofofija 2. Munich, Berlin, Vienna (= Wiener Slawistischer Almanach. Sonderbd. 80), 25-44
  • 2013a: Kamernyj nomadizm Vasilija Rozanova i ego vosprijatie Ėduardom Limonovym. Rasšatyvanie edinstva sub "ekta v russkoj kul'ture. In: Journal of Slavic Philology 69/1 (2012/2013), 81-106
  • 2013b: Names in the literary media of poetry, prose and drama. The example of the poetics of names in the works of Dmitri Aleksandrovič Prigov. In: Matthias Freise (ed.), Names in Russian Literature. Imena v russkoj literature. Wiesbaden, 237-266
  • 2013c: The media of poetry and drama, prose and special-purpose text. Literary main genres and their hybrids using the example of Slavic texts of the 19th and 20th centuries. In: Poetica 2013/3, 205-240
  • 2013d: New Objectivity in the Work of the Russian German Artist Nikolai Zagrekov/Nikolaus Sagrekow. In: Ralf Grüttemeier, Klaus Beekman, Ben Rebel (eds.), Neue Sachlichkeit and Avant-Garde. Amsterdam / New York, 341-372
  • 2013e: Rozanov's Egypt Myth and Bakhtin's Carnivalism: Religious Art versus Art-Religion. In: Journal for Slavic Studies 58/3, 253-275
  • 2013f: Sense versus presence. (Inner) Form in Špet, in the GaChN, in the Formalists and in Bakhtin. In: Aage Hansen-Löve, Brigitte Obermayr, Georg Witte (eds.), Form and Effect. Phenomenological and empirical art studies in the Soviet Union of the 1920s. Munich, 19-53
  • 2013g: Dva krizisa kul'tury. Andrej Belyj i Michail Bachtin. In: Sergej Gončarov, Nadežda Grigor'evna, Šamma Šachadat (eds.), Na granice ėpoch v literature i filosofii. Saint Petersburg, 35-55
  • 2013h: Poėtičeskij dnevnik Dmitrija Prigova: samozaščita ot istorii. In: Chenrike Štal', Marion Rits (eds.), Imidž, dialogue, ėksperiment - polja sovremennoj russkoj poėzii. Munich and others, 323-346
  • 2014a: The German reception of Ranko Marinković's oeuvre and the four translations of his essayistic novella "Ruke" into German. In: The World of the Slavs LIX, 183-200
  • 2014b: Njemačka recepcija djela Ranka Marinkovića, i četiri prijevoda esejističke novele "Ruke" na njemački. In: Republika LXX/1, 60-72
  • 2014c: Čechov's "Seagull" ("Čajka", 1896/1901) - the indecipherable cipher: defence against impressionist and naturalist theatre and re-foundation of comedy in lyrical-epic drama. In: Henrieke Stahl; Karoline Thaidigsmann (eds.), Zwischen den Zeiten: Einblicke in Werk und Rezeption Anton Čechovs ; Gerhard Ressel zum 65. Geburtstag. Munich [et al.], 31-64. ISBN 978-3-86688-447-2
  • 2014d: Will beauty save the world? The Contest between Ethics and Aesthetics in Ivan Karamazov's "Parable of the Grand Inquisitor". In: C. Misselhorn et al. (eds.), Good and Beautiful. The new debate on moralism using the example of Dostoevsky. Paderborn: Fink, 2014, 185-200. ISBN: 978-3-7705-5094-4
  • 2014e: Komorni nomadizam Vasilja Rozanova (s pogledom na divlji nomadizma Ėdurarda Limonova) - narušavanje integriteta subjekta (ruske) kulture. In: Jasmina Vojvodić (ed.), Nomadizma. Zbornik znanstvenih radova u spomen na pofesora Aleksandra Flakera. Zagreb: Disput, 2014, 237-347. ISBN: 978-953-260-198-5
  • 2014f: Existentialism. In: Martin George et al. (eds.), Tolstoj als theologischer Denker und Kirchenkritiker. Göttingen: Vandenhoeck and Ruprecht, 668-682. ISBN 978-3-525-56007-5 / 978-352-556-0075
  • 2014g: Art of language, art as language, language(s) of art. Reflections based on the discussion of the relationship between language and art in the 1920s at Gustav Špet and at the GAChN. In: Nikolaj Plotnikov (ed.), Art as Language - Languages of Art. Russian Aesthetics and Art Theory of the 1920s in the European Discussion. Hamburg: Felix Meiner, 125-146 ISBN: 978-3-7873-2410-1
  • 2014h: Differences between the positions of prosaists, dramatists, poets and non-fictionists in contemporary Europe. In: Most / The Bridge, 2014/1-2, 151-156. ISSN 0351-0611
  • 2014i: Forms of apophatic art religion and religious art in Russian modernism. In: Vienna Slavic Almanac, 73/2014, 293-330.
  • 2014j: "Bene scribere vitam". Life writing by, with and on Vasilii Rozanov: An Essay on its Genres and its Semiotic Perspectives. In: Vienna Slavic Almanac, vol. 74/2014, 101-146.
  • 2014k: Василий Розанов и Ветхий завет: рецепция Песни песней, культ семьи и семени и основание симметрижеской религии / AfSIPh, XLII, 2014, 29/52.
  • 2015a: Lermontov Rozanova:neizčerpannaja vozmožnost'. In: M.N. Virolajnen, A. Karpov (ed.), Mir Lermontova. Saint Petersburg: Scriptorium 2015, 695-708.
  • 2015b: The figure of the prophet Daniel in Salus, Rilke and Th. Mann: Prophecy discourses in German drama, poetry and prose at the beginning of the 20th century. In: Coincidentia. Journal for European Intellectual History VI, 2015, 1, 155-184
  • 2015c: Bakhtin's Theory of Speech-Genres and the Adressivness in Cultural Pragmatics of Genres in Literature: "Genus" vs. "Genre". In: Umjetnost riječi, 2015, 315-338. ISSN: 0503-1583
  • 2015d: The chronotope of the search for (un)happiness in Platonov's novel fragment Sčastlivaja Moskva (Happy Moskva). In: Anzeiger für Slavische Philologie (XLIII), 2015, 67-100. Graz: Akademische Druck- und Verlagsanstalt. ISBN 978-3-201-02013-8
  • 2016a: Praesentia in absentia. The Emergence of Death and Birth Signs in Philosophy, Religion and Literature. In: Christiane Schildknecht; Irina Wutsdorff (eds.), Presence and Text. Strategies of Transfer in Literature and Philosophy, 2016, 69-88. ISBN 978-3-7705-6603-5
  • 2016b: "Tret'ij Renessans" kak koncept "drugogo moderna". In: Wiener Slawistischer Almanach (76), 2016, 123-141. ISSN 0258-6819
  • 2016c: Lev Tolstoy and Vasilii Rozanov: Two Fundamental(ist) Types of Russian Irrationalism, in: O. Tabachnikova (ed.), Facets of Russian Irrationalism between Art and Life. Mystery inside Enigma. Leiden, 2016, 313-338. ISBN13 9789004311114; E-ISBN 9789004311121
  • 2016d: Memoria vs. Narration: Problems of the Relationship between Memory and Fictional Narration about Shoa and Gulag in Vasilij Grossman's Life and Fate (Žizn' i sudba) and Everything Flows (Vse tečet). In: Karol Sauerland; Yvonne Pörzgen (eds.), The Changing Cultural Memory of Europe. Frankfurt a.M. etc.: Peter Lang, 2016, 143-180. ISBN 978-3-631-67458-1 E 978-3-653-06655-9
  • 2016e: Telo Ajgi. Fizika i metafizika tela v stichotvornom tvorčestve Gennadija Ajgi. In: Russian Literature (79-80), 2016, 45-60. ISSN 0304-3479
  • 2016f: Allegorija ili simvolika, protivopostavlenie prirody i kul'tury ili ich sintez? Novel-fragment "Sčastlivaja Moskva" kak primer poėtiki narrativa A. Platonova. In: Kornelija Ičin; Il'ja Kukuj (eds.), Ot avangarda do soc-arta: kul'tura sovetskogo vremeni. Sbornik statej v čest' 75-letija professora Chansa Gjuntera. Belgrade: Izdatel'stvo filologičeskogo fakul'teta v Belgrade, 2016, 143-152. ISBN 978-86-6153-302-0
  • 2016g: Does the Poetry of Gennadij Ajgis Reflect the Transformation of the Soviet Union into the Russian Federation? In: Henrieke Stahl; Hermann Korte; Marion Rutz (eds.), Gedichte schreiben in Zeiten der Umbrüche. Trends in poetry since 1989 in Russia and Germany. Leipzig, 2016, 285-306. ISBN 978-3-86688-599-8
  • 2016h: Filosofskij diskurs i poetičeskaja reč' u Nicše i Solov'eva. In: N.M. Azarova, S.Ju. Bočaver (eds.), Poėtičeskij i filofoskij discursy: istorija vzaimnosti i sovremennoe sostojanie. Мoskva (Kul'turnaja revoljucija) 2016, 26-44. (ISBN 9785902764519)
  • 2017a: Commentary. In: M. Bakhtin: Speech genres. Berlin: Matthes and Seitz 2017, 209-317 (ISBN 978-3-95757-272-1)
  • 2017b: Literature, Art and Theory - a Suspenseful Ménage à Trois. In: Michał Mrugalski, Schamma Schahadat (eds.), Theory of Literature as a Theory of the Arts and the Humanities. Vienna Slavic Almanac, Special Vol. 92, 2017, 91-122 (ISBN 978-3-86688-636-0)
  • 2017c: Revoljucija kak tema i priem v proze Platonova, in: Evgenij Jablokov (ed.), Skrytaja teplota Revoljucii, Moscow: Polimedia 2017, 73-89. (ISBN 987-5-98180-113-4)
  • 2018: Revolution and literature. Metaphor chains and chain metaphors. In: A. Niederbudde, N. Scholz (eds.), Revolution and Avant-garde. Berlin: Frank & Timme 2018, 35-90 (ISBN 978-3-7329-0288-0)
  • 2019a: Tipy poėtičeskogo sub "ekta v tvorčestve Gennadija Aygi. In: Russian Literature 109-110, 47-68. (ISSN: 1878-3678, ISSN 0304-3479)
  • 2019b: Farewell to the "Russian soul" and its engineers. New images of Russia and images of the new Russia in German prose from 1995 to 2013. In: Alexander Bierich, Thomas Bruns and Henrieke Stahl (eds.), Gedächtnisraum Literatur - Gedächtnisraum Sprache: Europäische Dimensionen slavischer Geschichte und Kultur. Festschrift for Svetlana and Gerhard Ressel. (=Trierer Studien zur Slavistik) Berlin et al., 285-328. (ISBN 978-3-631-80458-2, E-ISBN 978-3-631-80468-1)
  • 2019c: Do poets lie? Poetic and discursive knowledge. In: International Journal of Comparative Cultural Studies 1, 93-117. (DOI: 10.25353/ubtr-izfk-9609-0fc9, ISSN 2698-492X (Print), ISSN 2698-4938 (Online)).
  • 2019d: Nostalgia as negative aesthetics. Rozanov's memory (deception) of Egypt, Rilke's adopted country Russia and Horst Janssen's "Toska". In: Wiener Slawistischer Almanach 82, 155-202 (ISBN 978-3-631-79779-2)
  • 2019e: Life as a multiple artistic self-design: Inter-, cross- and multimediality in Dmitrij Prigov's autobiographical texts, images and performances. In: G. Howanitz, I. Jandl (eds.), Ich-Splitter. (Cross-)Medial self-designs in the Slavic cultures. Vienna Slavic Almanac, special volume 96, 17-56. (ISBN 978-3-631-78381-8 (Print), 978-3-631-78382-5 (E-PDF), 978-3-631-78383-2 (EPUB), 978-3-631-78384-9 (MOBI))
  • 2019f: Culture as transition / translation. Vera Pavlova's "Heavenly animal" ("Nebesnoe životnoe", 1997), In: Interface. Journal of European Language and Literature 10, 59-78 (ISSN 2519-1268)
  • 2019g: Kul'tura kak perechod / perevod. "Nebesnoe životnoe" Very Pavlovoj. In: Kritika i semiotika 1, 10-25. (ISSN 2307-1737)
  • 2019h: (Neo-)mif i discurs v russkoj kul'ture: meždu prirodoj i kul'turoj. In: Russian Literature 107-108, 49-91 (ISSN 0304-3479)
  • 2019i: Kon' apokalipsisa bez vsadnika i slepota kak prozrenie v rasskaze V. Sorokina "Černaja loshad' s belym glazom". In: Novoe literaturnoe obozrenie 5, 298-310. (ISSN 0869-6365)
  • 2020a: The plurality of the poetic and artistic subject as a liminal habitus in Dimitri Prigov's late work. In: Matthias Fechner/Henrike Stahl (eds.): Subjekt und Liminalität in der Gegenwartsliteratur. Berlin 2020, 183-199.
  • 2020b: Body memory in contemporary literary genres. In: Wiener Slawistischer Almanach 85. Berlin etc., 117-155. ISBN 978-3-631-84409-0 (EPUB): ISBN 978-3-631-84365-9 (Print).

from 2021

  • 2021a: Gender in the poem. In: Vera Pavlova and Rainer Grübel, Nebesnoe životnoe Stichi - The heavenly beast. Verses. Oldenburg: BIS-Verlag, pp. 7-33. ISBN 978-3-8142-2396-4
  • 2021b: 'Poetic subject' and/or 'abstract author' in the late works of Gennadij Ajgi, Viktor Sosnora, Dmitrij Prigov and Natalija Azarova. In: Geist P., Reents F., Stahl H. (eds), Author and subject in the poem. Poetry research. Positions, perspectives and practices today. (=Neue Arbeiten zur Theorie und Geschichte der Lyrik, vol 1.) J.B. Metzler, Berlin, Heidelberg. Print ISBN 978-3-662-62320-6; Online ISBN 978-3-662-62321-3
  • 2022a: Implicit and explicit axiology of narration. Kleist's Bach anecdote and the stories "Černaja lošad s belym glazom" by Vladimir Sorokin and "Ruke" by Ranko Marinkovič. In: Anja Burghardt and Nora Scholz (eds.), Judgement and values. Interdisciplinary perspectives on narrative axiologies. Bielefeld: Transcript Verlag, 73-104. print-ISBN 978-3-8376-5100-3. PDF-ISBN 978-3-8394-5100-7
  • 2022b: The poetic subject and the body in contemporary Russian and German poetry. In: Matthias Fechner, Nikolaus Immer, Henrieke Stahl (eds.), Return of the Subject? Perspectives on Philosophy, Poetics and the Poetry of the Present. Berlin etc.: Peter Lang, pp. 193-226. ISBN 978-3-631-88283-2 (print) E-ISBN 978-3-631-88313-6 (e-book) E-ISBN 978-3-631-88314-3 (EPUB).
  • 2022c: Bakhtin's Philosophy of Literature and its Relation to Literary Theory, Literature and Culture. In: Michał Mrugalski, Schamma Schahadat and Irina Wuttsdorff (ed.), Central and Eastern European Literary Theory and the West. Berlin/Boston: De Gruyter, pp. 561-592. ISBN 978-3-11-037872-6; (PDF) 978-3-11-040030-4; (EPUP) 978-3-11-040034-2 DOI https: //dol.org/10.1515.9783110400304.
  • 2022d: Russian Structuralism and Semiotics in Literary Criticism and its Reception. In: Michał Mrugalski, Schamma Schahadat and Irina Wuttsdorff (ed.), Central and Eastern European Literary Theory and the West. Berlin/Boston: De Gruyter 2022, 723-786. ISBN 978-3-11-037872-6; (PDF) 978-3-11-040030-4; (EPUP) 978-3-11-040034-2 DOI https: //dol.org/10.1515.9783110400304.
  • 2022e: Carnival, Carnivalism and Bakhtin's Culture of Laughter. In: Michał Mrugalski, Schamma Schahadat and Irina Wuttsdorff (ed.), Central and Eastern European Literary Theory and the West. Berlin/Boston: De Gruyter, pp. 776-898. ISBN 978-3-11-037872-6; (PDF) 978-3-11-040030-4; (EPUP) 978-3-11-040034-2 DOI https: //dol.org/10.1515.9783110400304.
  • 2022f: Nature and Culture in the Poetry of Durs Grünbein. In: Kirstin Zeyer, Henrieke Stahl, Harald Schwaetzer (eds.), Nature in the Poetry and Philosophy of the Anthropocene: Between Diagnosis, Resistance and Therapy. =Texts and Studies in European Intellectual History. Series B, vol. 23 Münster: Aschendorff, 535-564. ISBN 978-3-402-16019-0 E-Book: 978-3-402-16020-6 (EPUB).
  • 2022g: The Third Renaissance and the Pre-Socratic Parmenides in Russian Modernism and Avant-Garde. In: International Journal of Comparative Cultural Studies. 5 (2022), PP. 413-441. DOI: https://doi.org/10.25353/ubtr-izfk-ddb7-1367.
  • 2022h: Poetic subject, media persona and political habitus. Poetics and Politics of Provocation A.A. Vituchnovskaja's Life and Work in the 21st Century. In: International Journal of Comparative Cultural Studies. 6 (2022), 129-164. DOI: https://doi.org/10.25353/ubtr-izfk-0ab1-c855.

  • 2022i: Gender in the poem. Vera Pavlova's political debut and its place in Russian literature. In: Vera Pavlova, Nebesnoe životnoe. Vera Pavlova, The Heavenly Beast. Translated from the Russian by Rainer Grübel. Oldenburg 2022, pp. 7-33. ISBN 978-3-8142-2396-4.

  • 2022j: Durs Grünbein's cycle 'Sieben Pinien (Ein Verbarium)' and his twelve-liner 'Wie ein Pinienzapfen fällt'. Nature poems, cultural history and the poetic subject in the Anthropocene. In: Braun, M. / Valtolina, A. (eds.): Reading trees. European ecological poetry since the 1970s. Würzburg. ISBN: 9783826073540, PP. 139-160.

  • 2022k: Implicit and explicit axiology of narration. Kleist's Bach anecdote and the stories "Černaja lošad s belym glazom" by Vladimir Sorokin and "Ruke" by Ranko Marinkovič. In: Anja Burghardt and Nora Scholz (eds.), Judgement and values. Interdisciplinary perspectives on narrative axiologies. Bielefeld: Transcript Verlag, 2022, 73-104. ISBN987-3-8376-5100-3 PDF: ISBN 987-3-631-84365-9.

  • 2023a: Aesthetic Existentials in Viktor Sosnora's Poetry: Life and Death, Creation and Destruction, and Silence. In: Schmitt, A. / Stahl, H. (eds.): Poetry and Existence in the Present (Modern poetry. Intercultural and interdisciplinary studies). Berlin 2023, pp. 39-78.

  • 2023b: The metaphysical poetry of Ol'ga Sedakova and Vera Pavlova (with a side-glance to Aigi and Prigov) - art of religion, religion of art and existence. In: Schmitt, A. / Stahl, H. (eds.): Poetry and Existence in the Present (Modern Poetry. Intercultural and Interdisciplinary Studies). Berlin 2023, 9783631899106 ISBN (ePUB) 9783631899113 ISBN (Paperback) 9783631898192, pp. 281-316.

  • 2023c: Xenoglossia - Concept and image of an unknown language. On the concept and image of a foreign, unfamiliar language. In: Jan-Patrick Zeller, Thomas Menzel, Hauke Bartels (eds.), Unity(s) in the Diversity of Slavic and East European Studies. Prvdentia Regnorvm Fvndamentvm. Festschrift Gerd Hentschel. Peter Lang, Berlin 2023. 978-3-631-88988-6 (ISBN) pp. 141-174.

4. contributions to encyclopaedias, specialised dictionaries and
handbooks

  • 1974 [1989]a: Biblia, tu je vse svetu pismu stariga i noviga Testamenta Slovenski tolmazhena. In: Kindlers Literaturlexikon. Vol. 10. Zurich 1974, p. 10511. Again in: Kindlers Neues Literaturlexikon. Vol. 4, Munich 1989, p. 3393f.
  • 1974 [1989]b: Josip Jurčić, Deseti brat. In: Kindlers Neues Literaturlexikon. Vol. 10, Zurich 1974, pp. 10611f. Again in: Kindlers Neues Literaturlexikon. Vol. 8, Munich 1990, p. 975f.
  • 1989a: Bella Achmadulina. In: Harenbergs Lexikon der Weltliteratur. Vol. I. Dortmund, p. 37.
  • 1989b: Michail Bachtin. In: Harenbergs Lexikon der Weltliteratur. Vol. I. Dortmund, p. 268.
  • 1989c: Literary semiotics. In: Harenbergs Lexikon der Weltliteratur. Dortmund, vol. III, pp. 1807f.
  • 1991a: I. Sel'vinskij, Uljalaevščina. In: Kindlers Neues Literaturlexikon. Vol. 13. Munich, p. 420f.
  • 1991b: Il'ja Sel'vinskij. In: H-L. Arnold (ed.), Kritisches Lexikon der fremdsprachigen Gegenwartsliteratur. Supplement 20, Munich
  • 1991c: A. Platonov, Džan. In: Kindlers Neues Literaturlexikon. Vol. 13, Munich, p. 420f.
  • 1991d: A. Platonov, Gorod Gradov. In: Kindlers Neues Literaturlexikon. Vol. 13. Munich, p. 421.
  • 1991e: A. Platonov, Juvenil'noe more. In: Kindlers Neues Literaturlexikon. Vol. 13. Munich, p. 422.
  • 1995a: Ju. Tynjanov, Problema stichotvornogo jazyka. In: Renner, R., E. Habekost (eds.), Lexikon literaturtheoretischer Werke. Stuttgart, 183-185
  • 1995b: B. Ejchenbaum, Literatura i literaturnyj byt. In: Renner, R., E. Habekost (eds.), Lexikon literaturtheoretischer Werke. Stuttgart, 216-218
  • 1995c: Ju. Tynjanov, Vopros o literaturnoj evoljucii. In: Renner, R., E. Habekost (eds.), Lexikon literaturtheoretischer Werke. Stuttgart, 183-185
  • 1996a: Formalism and structuralism. In: Arnold, H.-L., H. Detering (eds.), Grundzüge der Literaturwissenschaft, Munich, 343-366
  • 1996b: Value, canon, mark. In: Arnold, H.-L., H. Detering (eds.), Grundzüge der Literaturwissenschaft, Munich, 581-604
  • 1997: Dominant. In: Weimar, K. (ed.), Reallexikon der deutschen Literaturwissenschaft. Munich, vol. II. Berlin / New York, 388-390
  • 1998: Lev Tolstoy. In: Nida-Rümelin, J. (ed.), Ästhetik und Kunstphilosophie. Stuttgart (= Kröners Taschenausgabe; 375), 780-784
  • 2006a: A.K. Tolstoy and Lev Tolstoy. In: Finscher, L. (ed.), Musik in Geschichte und Gegenwart. General Encyclopaedia of Music,vol. 17, Basel etc., 896-899
  • 2006b: I.S. Turgenev. In: Finscher, L. (ed.), Musik in Geschichte und Gegenwart. General Encyclopaedia of Music,vol. 17, Basel etc., 1126-1128
  • 2011: Dmitrij Prigov. In: Kritisches Lexikon zur fremdsprachigen Gegenwartsliteratur. 84th supplement 84, Munich
  • 2012: Vasilij Grossman. In: Critical Dictionary of Contemporary Foreign Language Literature. 86th supplement 85, Munich
  • 2013a: Formalist and structuralist theories of literary value and Bakhtin's theory of value. In: Gabriele Rippl, Simone Winko (eds.), Handbuch Kanon und Wertung. Theories, instances, history. Stuttgart, 25-32
  • 2013b: The example of Russia. (From literary canon to canon plurality). In: Gabriele Rippl, Simone Winko (eds.), Handbuch Kanon und Wertung. Theories, instances, history. Stuttgart, 89-92
  • 2014a: Gennadij Ajgi. In: Kritisches Lexikon zur fremdsprachigen Gegenwartsliteratur. 86th supplement 88, Munich. ISBN 9783869161884
  • 2018: Mikhail Bakhtin and Julia Kristeva: Dialogue and Intertextuality. In: R. Simon (ed.), Basic Topics in Literary Studies: Poetics and Poeticity. Berlin: De Gruyter 2018, 299-313.

5. reviews

  • 1972a: Ju.M. Lotman, Struktura chudožestvennogo teksta. Moscow 1970 In: Kritikon litterarum I/1, 203-208
  • 1972b: Texts of Soviet Russian literary structuralism. Edited by K. Eimermacher. Munich 1972: Kritikon litterarum I/2, 33-36.
  • 1974: LEF / Novyj Lef (reprint: Munich 1970). In: The World of the Slavs XIX, 395-402.
  • 1975: V.D. Barooshian, Russian Cubofuturism 1910-1930. A Study in Avant-Gardism. The Hague / Paris 1974. in: Kritikon litterarum IV, 38-42.
  • 1979: Vjač. Vsev. Ivanov, Očerki po istorii semiotiki v SSSR. Moscow 1977. in: Kodikas / Code 1979/2, 181-186.
  • 1980: H. Gassner / E. Gillen, Between Revolutionary Art and Socialist Realism. Documents and Commentaries. Art Debates in the Soviet Union from 1917 to 1934, Cologne 1979, in: Aachener Literaturbrief 3, 5.
  • 1992: Daniel Rancour-Laferrierre (ed.) Russian Literature and Psychoanalysis. (= Linguistic and Literary Studies in Eastern Europe 31). Amsterdam / Philadelphia (Benjamins) 1989. in: Wiener Slawistischer Almanach 29, 279-290.
  • 1993a: Literaturkritik und Literaturtheorie in der frühsowjetischen Diskussion: Standorte - Programme - Schulen. Edited by A. Hiersche and E. Kowalski. Berlin and Weimar 1990, in: Zeitschrift für Slawistik XXXVIII/2, 111-115.
  • 1993b: Ewa M. Thompson (ed.) The Search for Self-Definition in Russian Literature. (=Utrecht Publications in General and Comparative Literature 27). Amsterdam/Philadelphia (Benjamins) 1991. in: Wiener Slawistischer Almanach 31, 299-312.
  • 1993c: Barry P. Scherr, Dean S. Worth (eds.), Russian Verse Theory. Proceedings of the 1987 Conference at UCLA. Columbus. Ohio (Slavica Publishers) 1989. in: Kritikon litteratum 1993/2, 78-81.
  • 1993d: Johann Amos Comenius, Great Didactics. The Complete Art of Teaching All Things to All People. Translated and edited by Andreas Flitner. With an epilogue on the state of Comenius research by Klaus Schaller (= Pädagogische Texte, edited by Wilhelm Flitner), Stuttgart: Klett-Cotta 1992. In: Jahrbuch Rhetorik 13, 200-202.
  • 1994a: Nyota Thun, Majakowski. Painter and Poet. Studien zur Werkbiographie 1912-1922, Tübingen and Basel 1993, in: Kritikon litterarum XXI, 148-151.
  • 1994b: A. Lam (ed.) Die literarische Avantgarde in Polen. (=German Text Library. Vol. IX). Tübingen 1990. in: Kritikon litterarum, 1994/1-2, 41-43.
  • 1994c: Ronald E. Peterson, A History of Russian Symbolism. (= Linguistic and Literary Studies in Eastern Europe 29). Amsterdam/Philadelphia (John Benjamins) 1993, in: Wiener Slawistischer Almanach 1994, 347-350.
  • 1994d: M. Holquist, Dialogism. Bakhtin and his World. London / New York (Routledge) 1990, in: Kritikon litterarum 1994/1-2, 48-50.
  • 1994e: M. Hagemeister, Nikolaj Fedorov. Studies on his life, work and impact. (= Marburger Abhandlungen zur Geschichte und Kultur Osteuropas; 28). Munich 1989. in: Kritikon litterarum 1994/1-2, 48-50.
  • 1994f: B. Zelinsky (ed.) Russische Avantgarde 1917-1935. Kunst und Literatur nach der Revolution. Bonn (Bouvier Verlag) 1991, in: Kritikon litterarum 1994, 152-154.
  • 1995a: Literary Criticism and Literary Theory in the Early Soviet Discussion: Locations - Programmes - Schools. Documents. Edited by A. Hiersche and E. Kowalski. Bern etc. 1993. In: Zeitschrift für Slawistik XL/1, 283-294.
  • 1995b: B. Seidel-Dreffke: Die Haupttendenzen der internationalen Gogol'forschung in der zweiten Hälfte des zwanzigsten Jahrhunderts (deutschsprachiges Gebiet, USA, Großbritannien, Sowjetunion). Frankfurt a.M. 1992. In: Kritikon litterarum 22, 47-51.
  • 1996a: A. Hippisley (ed.): Emvlemy i simvoly. The First Russian Emblem Book. Leiden (Brill) 1992. in: Journal of Slavic Philology 1996(1), 151-157.
  • 1996b: R. Lachmann: The Destruction of Beautiful Speech. Rhetorische Tradition und Konzepte des Poetischen, Munich 1992, in: Jahrbuch Rhetorik 16, 193f.
  • 1996c: N.M. Maksimovič-Ambodik: Emblemy I simvoly. Leiden etc. In: Journal for Slavic Philology LV, 151-157.
  • 1997a: Sergej Suchoparov (ed.): Aleksej Kručenych v svidetel'stvach sovremennikov. (= Slavic contributions. 309). Munich 1994. in: Kritikon litterarum 24, 129-130.
  • 1997b: A. Sergl: Literarisches Ethos. Implications of Literarizität am Beispiel des konservativen Publizisten V. V. Rozanov. With a concluding excursus on A. P. Čechov. In: Journal for Slavic Philology LVI, 439-448.
  • 1997c: N.A. Bogomolov / Malmstad, D.E., Michail Kuzmin: Iskusstvo, žizn', epocha. Moscow 1995 / N.A. Bogomolov, Michail Kuzmin. Stat'i i materialy. Moscow 1995 / K. Harer, Michail Kuzmin. Studien zur Poetik der frühen und mittleren Schaffensperiode. Munich 1993. in: The World of the Slavs XLII, 391-397.
  • 1998a: M. Zurek: Tolstoy's Philosophy of Art. Heidelberg 1996. in: Journal of Slavic Philology 57, 456-461.
  • 1998b: R.A. Maguire: Exploring Gogol. In: The World of the Slavs XLIII, 187-189.
  • 1998c: Simeon Polockij: Vertograd mnogocvetnyj. In: Kritikon Litterarum 25, 127-130.
  • 1999: M. Bezrodnyj: Konec citaty. Sankt Peterburg 1996, in: Wiener Slawistischer Almanach 43, 287-292.
  • 2000: M. Deppermann (ed.): Russisches Denken im europäischen Dialog. In: The World of the Slavs XLV, 191-194.
  • 2002: D. Uffelmann: Russian Culturosophy. Logic and axiology of argumentation. In: The World of the Slavs XLVII, 193-197.
  • 2003a: A. Hansen-Löve: Der russische Symbolismus. Vol. 1 Vienna 1998, Vol. 2, Vienna 1999, Russkij simvolizm. Sankt Peterburg 2001, in: Zeitschrift für Slavische Philologie 62, 209-215.
  • 2003b: V Fateev: Žizneopisanie Vasilija Rozanova. In: Novoe Literaturnoe obozrenie 64(6), 396-399.
  • 2004: K. Städtke (ed.): Russische Literaturgeschichte. With the co-operation of Chr. Engel, Andreas Guski, W. Kissel, J. Klein and W.-H. Schmidt as well as G. Uffelmann (ed.). Stuttgart/Weimar 2002. in: The World of the Slavs XLIX, 383-387.
  • 2005: "Russkaja slovesnost' v mirovom kontekste. (Moscow, 14-19 December 2004). In: Journal of Slavic Studies 50(2), 219-223.
  • 2008: Frank Ankersmit, De sublieme historische ervaring. In: Internationale Neederlandistiek, 46(3), 74-77 (Dutch).
  • 2009: Wolfram Eilenberger: Das Werden des Menschen im Wort. A Study on the Cultural Philosophy of Mikhail M. Bakhtin. Zurich [Chronos Verlag]. Http:www.rkm-jounal.de/Archives/651
  • 2012a: Szusza Hetényi: In a Maelstrom. The history of Russian-Jewish prose (1860-1940). Budapest / New York: Central European University-Press 2008. in: Journal of Slavic Studies, 494-498.
  • 2012b: Emily Van Buskirk and Andrei Zorin (eds.): Lydia Ginzburg's Alternative Literary Identities. A Collection of Articles and New Translations, Oxford et al: Peter Lang 2012. in: Wiener Slawistischer Almanach, 70, 337-372.
  • 2013a: Andrea Zink: How peasants became Russians. Die Konstruktion des Volkes in der Literatur des russischen Realismus 1860-1880. (= Basler Studien zur Kulturgeschichte Osteuropas, vol. 18). Zurich 2009, in: Osteuropa 10, 231f.
  • 2014: Simeon Polockij. Rifmologion: A collection of courtly-ceremonial poems. Volume 1, edited by Anthony Hippisley, Hans Rothe and Lydia I. Sazonova. (=Bausteine zur Slavischen Philologie und Kulturgeschichte. Series B: Editions. Neue Folge Band 27/I) (Böhlau) Cologne/ Weimar/Vienna 2012. in: Kritikon Litterarum. Vol. 41, 2014 Issue 1-2, 88-93 (ISSN 1865-7249)
  • 2016a: Aage Hansen-Loeve: Russian Symbolism. System and development of poetic motifs. Vol. 3: Mythopoetic Symbolism. 2. motifs of life Vienna: Verlag der österreichischen Akademie der Wissenschaften 2014. in: Kritikon litterarum, 2016, 106-110. (ISSN 0340-9767, e-ISSN 1865-7249)
  • 2016b: Ingeborg Jandl: Rhythm and sound structures in Marina Cvetaeva's verse dramas Ariadna and Fedra. = Grazer Studien zur Slawistik, vol. 4. Hamburg: Dr Kovač, 2013. in: ZfSL 61(2), 385-390. (ISSN0044-3506, e-ISSN 2196-7016)
  • 2016c: Klavdia Smola: Eastern European Jewish Literatures in the 20th and 21st Centuries. Identität und Poetik / Eastern European Jewish Literature of the 20th and 21st Centuries. Identity and Poetics. = Die Welt der Slaven, Sonderbd. 52. Munich / Berlin / Washington/DC: Kubon & Sagner 2013. In: ZfSl 61(4), 742-749. (ISSN 0044-3506, e-ISSN 2196-7016)
  • 2017: Natal'ja Azarova, Kirill Korčagin, Dmitrij Kuz'min, Vladimir Plungjan, Svetlana Bočaver, Boris Orechov and Evgenija Suslova, Poėzija. Učebnik. In: Vienna Slavonic Almanac 79, 313-322 (ISSN 0258-6819)
  • 2018: Emily Van Buskirk: Lydia Ginzburg's Prose. Reality in Search of Literature. Princeton and Oxford: Princeton University Press 2016. In: Journal of Slavic Philology 1, 223-230. (ISSN 0044-3492)
  • 2019a: Vladimir Novikov: Literaturnye mediapersony XX veka, Moscow 2017 In: Vienna Slavic Almanac 82, 555-570 (ISBN 978-3-631-79779-2)
  • 2019b: Aage Hanse-Löve: Pregnant Muses - Rebellious Heroes - Antigenic Writing. From Sterne to Dostoevskij, from Flaubert to Nabokov In: Journal of Aesthetics and General Art Studies 64(2), 323-328. (ISSN 2366-0740)
  • 2021: Hans Günther: Revolution and Melancholy. Andrej Platonov's prose of the 1920s. In: Vienna Slavic Almanac 87, 2021, pp. 429-440. ISBN (PDF) 9783631874691; ISBN (ePUB) 9783631874707; ISBN (Paperback) 9783631874684

6. translations

  • Together with Walter Kroll and Hans-Eberhard Seidel 1973: Jurij M. Lotman, Die Struktur des künstlerischen Textes. Edited with an epilogue and an index by Rainer Grübel (=edition suhrkamp 582) Frankfurt a.M. 1973 (from the Russian)
  • Together with Peter Scherber 1974: Viktor Šklovskij, Literatur und Kinematograph. In: Aleksandr Flaker and Viktor Žmegac (eds.), Formalism, Structuralism and History. Kronberg, 22-41 (from the Russian).
  • 1974a: Grigorij Vinokur, Poetics. Linguistics. Sociology. In: Aleksandr Flaker and Viktor Žmegac (eds.), Formalism, Structuralism and History. Kronberg, 42-52 (from the Russian).
  • 1974b: Aleksandr Cejtlin, The Marxists and the "Formal Method". In: Aleksandr Flaker/ Viktor Žmegac (eds.), Formalism, Structuralism and History. Kronberg, 53-73 (from the Russian).
  • Together with Walter Kroll 1974: The Word in the Novel. In: In: Aleksandr Flaker/ Viktor Žmegac (eds.), Formalism, Structuralism and History. Kronberg, 121-130 (from the Russian)
  • 1975: Jurij M. Lotman, Die Analyse des poetischen Textes. Edited, introduced and translated by Rainer Grübel (=Scriptor Taschenbücher S 38) Kronberg (from the Russian).
  • 1979: Together with Sabine Reese: Michail M. Bachtin, The Aesthetics of the Word. Edited and introduced by Rainer Grübel. (=edition suhrkamp 1976) Frankfurt a.M. (from the Russian).
  • 1986: Gennadi Ajgi, A Dream: The Forms of Arp. In: G. Laschen (ed.), Dispersion of the Alphabet. Jomma à Arp. Bremerhaven, 8 (from the Russian).
  • Together with Waltraut Grübel 1986a: Gérard Pfiser, Poèmes. In: G. Laschen (ed.), Zerstreuung des Alphabets. Hommage à Arp. Bremerhaven, 105-111 (from the French).
  • Together with Waltraut Grübel 1986b: Michel Sepheur, Kunst ist eine Frucht. In: G. Laschen (ed.), Dispersion of the Alphabet. Jomma à Arp. Bremerhaven, 133-135 (from the French).
  • 2001a: Rhizome. In: Vladimir Biti, Literary and Cultural Theory. A Handbook of Contemporary Concepts. Edited in German by Ljiljana Šaric and Wiebke Wittschen under the direction of Rainer Grübel. Reinbek bei Hamburg, 703f (from the Croatian).
  • 2001b: Skaz/Narrated speech. In: Vladimir Biti, Literary and Cultural Theory. A handbook of contemporary concepts. Edited in German by Ljiljana Šaric and Wiebke Wittschen under the direction of Rainer Grübel. Reinbek bei Hamburg, 739-741 (from the Croatian).
  • Together with Hans-Günter Hilbert, Alexander Haardt and Ulrich Schmid 2008: Michail Bachtin, Autor und Held in der ästhetischen Tätigkeit. Frankfurt a.M., 33-268 (from the Russian).
  • Together with Alexandra Ramm and Waltraut Grübel 2008: Wassili Rosanow, Dostojewskis Legende vom Großinquisitor. Oldenburg 2008, 11-211 (from the Russian).
  • Together with Sünna Looschen 2008: Wassili Rosanow, Über Gogol, In: ders., Dostojewskis Legende vom Großinquisitor. Oldenburg, 212-235 (from the Russian)
  • Together with Alfred Spröde 2017: M. Bachtin: Sprechgattungen. Berlin: Matthes und Seitz 2017, 7-99 (from the Russian).
  • 2017a: Michail Bachtin, Aus den Archiv-Niederschriften zur Arbeit "Das Problem der Sprechgattungen". In: M. Bakhtin: Speech genres. Berlin: Matthes und Seitz 2017, 99-150 (from the Russian).
  • 2017b: Mikhail Bakhtin, Language in Artistic Literature. In: M. Bakhtin: Speech genres. Berlin: Matthes und Seitz 2017, 151-163 (from Russian).
  • 2017c: Mikhail Bakhtin, Language and Speech. In: M. Bakhtin: Speech genres. Berlin: Matthes und Seitz 2017, 165-169 (from the Russian).
(Changed: 11 Feb 2026)  |  Kurz-URL:Shortlink: https://uol.de/p3121en
Zum Seitananfang scrollen Scroll to the top of the page

This page contains automatically translated content.