Dr. Klara von Lindern (sie/ihr)

Institute of Material Culture  (» Postal address)

A02 3–327 (» Adress and map)

Freitag 10:00–11:00

Non-term consultation: Freitag 10:00–11:00

+49 441 798-2167  (F&P

von Lindern, Klara, Dr.

Object-related research/ Custodian of the STAK

Specialist areas

  • Art around 1800/ Romanticism research
  • Theories and methods of art and cultural studies
  • Collection and museum history
  • Methods of exhibition analysis

events

  • 3.08.132 Doing VOGUE? Fashion magazines in theory and practice
  • 3.10.012 Theory and History of the Museum: Knowledge Production, Exhibition, Mediation (together with Wiebke Trunk)
  • AG Kustodien of the University of Oldenburg

Biographical data

since 2023 Research associate (post doc) at the Institute of Material Culture - Fak. III - at the Carl von Ossietzky University Oldenburg.

2018-2023 PhD student at the interdisciplinary VW research college "Wissen | Ausstellen"
(PhD: "Romantik | Ausstellen. Eine Verflechtungsgeschichte der Jubiläumsausstellungen zu Caspar David Friedrich in den 1970er Jahren", defended on 26 January 2023 with summa cum laude)

Since 2020 member of the DFG network "Aktuelle Perspektiven der Romantikforschung | Theorien, Methoden, Lektüren.

2019-2020 Research assistant at the Kupferstichkabinett of the Hamburger Kunsthalle

2017-2019 Deputy member of the board of the Künstlerhaus e.V.

2013-2018 Assistant at the Central Custody of the University of Göttingen

2015-2017 Master's degree programme in Art History and History at the Georg-August-Universität Göttingen

2014-2017 Scholarship holder of the German National Academic Foundation

2014-2015 Master's degree programme in History of Art and Visual Culture at the University of Oxford

2013 Scholarship holder of the Lower Saxony State Scholarship

2012-2013 Assistant at the Chair of Theories and Methods of History at the Georg-August University Göttingen

2011- 2012 Two-time scholarship holder of the Deutschlandstipendium

2011-2014 Bachelor's degree in the subjects of art history and history at the Georg August University Göttingen

Selection of publications

Monograph

  • Exhibiting Caspar David Friedrich. Retrospectives and Reception in the 1970s, DeGruyter: Ars et Scientia, vol. 28, Berlin 2024.

Essays

  • Together with Claudia Maria Müller: 'From the Elbe to Tokyo. Hans Joachim Neidhardt and his research on Romantic painting in Dresden', in: Dresdner Hefte, Issue 160: Rückzugsort Romantik. Eine Wirkungsgeschichte in der späten DDR, 2024 (4), pp.5-17 (in print).
  • 'Canon formation. Hans Joachim Neidhardt and his research on the painting of Dresden Romanticism', in: Staatliche Kunstsammlungen Dresden u.a. (eds.): Caspar David Friedrich. Where it all began, exhib. cat. Albertinum Dresden, 24 August 2024 - 05 January 2025, Dresden 2024, pp. 380-387.
  • 'Object consultation hour! A workshop on dealing with (textile) cultural property - a work report', in: Aus evangelischen Archiven, Zeitschrift des Verbands kirchlicher Archive, issue 64/2024 (forthcoming).
  • 'Between resistance and harmony? Curatorial practice in the GDR as reflected in (supra-)institutional structures', in: Daniela Döring/Margarete Vöhringer (eds.): Friktionen | Kuratieren. Für eine politische Wissensgeschichte des Ausstellens, Bielefeld 2024 (forthcoming).
  • 'Canon formation. Hans Joachim Neidhardt and his research on the painting of Dresden Romanticism'. in: Staatliche Kunstsammlungen Dresden u.a. (ed.): Caspar David Friedrich. Where it all began, exhib. cat. Albertinum Dresden, 24 August 2024-05 January 2025, Dresden 2024, pp. 380-387.
  • 'Revision of the museum? Werner Hofmann's didactic exhibition concepts between continuity and innovation', in: Annika Becker/Fabian Köster/Daniel Schmidt/Christiane Wanken (eds.): Kunst in der Kommune. On the Simultaneity of Innovation and Continuity in German Art Policy after 1945, Essen 2024, pp. 107-126.
  • 'Picture Knowledge and Exhibition Politics. Caspar David Friedrich in London, Hamburg and Dresden', in: Petra Lange-Berndt/Dietmar Rübel (eds.): Kunst um 1800. Kuratieren als wissenschaftliche Praxis, Munich 2024, pp. 183-192.
  • 'Excluded - Exposed. Präsenz und Präsentation von Künstlerinnen und ihren Werken in Ausstellungen zur Kunst um1800', in: Sebastian Schönbeck/Magdalena Hülscher (eds.): Diversität und Darstellung. Zugehörigkeit und Ausgrenzung im Literaturmuseum und in der Literaturwissenschaft, Bielefeld 2023, pp. 151-168.
  • 'National heritage? The Dresden anniversary exhibition on Caspar David Friedrich from 1974/1975 in the field of tension between specialised and cultural-political discourses', in: Iris Wenderholm/Nereida Gyllensvärd/Robin Augenstein (eds.): Die Sichtbarkeit der Idee. Zur Übertragung sozialpolitischer Konzepte in Kunst und Kulturwissenschaften, Berlin 2023, pp. 313-328.
  • '"Im Verein mit Werner Hofmann": Martin Warnke, Werner Hofmann und die Hamburger Kunstwissenschaft seit den 1970er Jahren', in: Jörg Probst (ed.): Politische Ikonologie. Image Criticism after Martin Warnke, Berlin 2022, pp. 109-128.
  • 'Genius creator or copyist? A caricature of Carl Wilhelm Friedrich Oesterley, in: Christian Vogel/Sonja E. Nökel (eds.): Gesichter der Wissenschaft. Representation and Performance of Scholars in Portraits, Göttingen 2019, pp. 239-242.
  • 'A 'hybrid' object? Ding-Porträt eines Nähtischklavierchens, in: Rebecca Grotjahn/Sarah Schauberger/Johanna Imm/Nina Jaeschke (eds.): Das Geschlecht musikalischer Dinge (=Jahrbuch Musik und Gender, 11), Hildesheim/ Zurich/ New York 2019, pp. 41-54.
  • Together with Anna Luisa Walter: 'St. Jacobi', in: Jens Reiche/Christian Scholl (eds.): Göttinger Kirchen des Mittelalters, Göttingen 2015, pp. 150-195.


Catalogue contributions

  • Contributions in: Andreas Stolzenburg/David Klemm (eds.) with contributions by David Klemm, Sandra Pisot, Jan Steinke, Andreas Stolzenburg and Klara von Lindern (née Wagner): Raffael. Impact of a Genius, exhib. cat. Hamburger Kunsthalle 02 July - 03 October 2021, Petersberg 2021.
  • Contributions in: Christine Hübner/Michael Thimann (eds.): "In einem glücklichen Augenblick erfunden." German Drawings from Tischbein to Corinth, exhib. cat. Art Collection of the University of Göttingen, 31 March-13 October 2019, Petersberg 2019.
  • Contributions in: Christine Hübner/Antje-Fee Köllermann/Michael Thimann (eds.): Romantic Views. German Drawings of the 19th Century, exhib. Cat. Landesmuseum Hannover, 25.03-24.06.2018, Petersberg 2018.
  • Contributions in: Manfred Luchterhandt/Lisa Marie Roemer, Lisa Marie/Verena Suchy (eds.): The Innocent Eye. Oriental images in early photography, exhib. Cat. Art Collection of the University of Göttingen, 23.04-17.09.2017, Petersberg 2017.

Selection of lectures

  • 'Doing VOGUE - teaching VOGUE? Creating a fashion magazine with students - insights into a project seminar', lecture at the conference Vogue's View: On Education. Diachronic and Transnational Perspectives on Vogue Magazine, from the Archive to the Classroom, ESMOD Paris (Paris, 13-14 December 2024)
  • 'Materiality and Digitality', panel discussion with Lina Franken and Manuela Glaser, University of Oldenburg (Oldenburg, 11 December 2024)
  • 'The Discovery of Romanticism. The Caspar David Friedrich Exhibition 1974 at the Albertinum', lecture as part of an evening in memory of Hans Joachim Neidhardt, Albertinum (Dresden, 29 November 2024)
  • 'Caspar David Friedrich for the Present? Die Werke des Malers im Spiegel von Politik, Freiheit und künstlerischer Inspiration', lecture on the occasion of the 250th birthday of Caspar David Friedrich, The Smart House Oldenburg (Oldenburg, 05 September 2024)
  • 'Joana Vasconcelos: From the catwalk to the museum. Encounters between fashion and art', lecture on the occasion of the special exhibition Joana Vasconcelos. Le Château des Valkyries at Gottorf Castle (Schleswig, 15 August 2024)
  • 'Exciting - Partial - Current - Creative? Researching and Teaching with the Textile Everyday Culture Collection (STAK)', lecture at the 15th Annual Conference for University Collections New Roles, New Goals? University collections in the field of tension between research, finance and politics, University of Zurich (Zurich, 13-15 June 2024)
  • 'Object consultation - recommendations for dealing with archival atypical collection items using the example of textiles', workshop at the North German Church Archives Day (Rastede, 30 April 2024)
  • 'Objektsprechstunde: Empfehlungen zum Umgang mit archivuntypischem Sammlungsgut', lecture at the conference Alles außer Akten! AV media, collection items and other treasures in archives, University of Oldenburg (Oldenburg, 14 March 2024).
  • 'Ageing accessories?! Analogue and digital methods of preventive conservation at the Sammlung Textile Alltagskultur (STAK)', lecture as part of the series of lectures Objekt|Sicherheit. Practices of object preservation at university collections, University of Oldenburg (Oldenburg, 16 November 2023)
  • 'Caspar David Friedrichs Reise durch die Zeiten', moderation of the book presentation Zauber der Stille by Florian Illies as part of the 32nd Göttinger Literaturherbst, Deutsches Theater Göttingen (Göttingen, 03 November 2023)
  • 'Resistance in harmony? Curatorial strategies of the Dresden Friedrich retrospective of 1974/1975 in the mirror of (supra-)institutional structures', lecture as part of the conference Frictions. For a political history of knowledge of exhibiting, StartRaum Göttingen (Göttingen, 8-10 December 2022)
  • 'Revision of the museum? Werner Hofmann's didactic exhibition concepts between continuities and innovation', lecture at the conference Kunst in der Kommune. On the simultaneity of innovation and continuity in German art policy after 1945, Kunstmuseum Gelsenkirchen (Gelsenkirchen, 22-24 June 2022)
  • 'Portraits of a landscape? Drawn representations of Olevano between physiognomic landscape rendering and idealisation in the genre discourse around 1800', lecture at the conference Olevano - Vermessung eines Mythos, German Academy Villa Massimo and Bibliotheca Hertziana, MPI for Art History Rome (Rome, 25-27 May 2022)
  • 'Werner Hofmanns Hamburger Ausstellungen als Medium der Erziehung zum kritischen Museumspublikum', lecture at the XXXVI German Art Historians' Day FormFragen, University of Stuttgart (Stuttgart, 23-27 March 2022)
  • 'Excluded - exposed. Zur Präsentation von Künstlerinnen und ihren Werken in Ausstellungen zur Kunst um 1800', lecture as part of the conference Diversity and Representation. Belonging and Exclusion in Literary Museums and Literary Studies, Kleist-Museum Frankfurt/Oder (online event, 9-11 March 2022)
  • 'Exhibiting Romanticism between Theory and Practice. Ausstellungsanalyse als Verflechtungsgeschichte', lecture at the invitation of the Graduiertenkolleg Modell Romantik, University of Jena (online event, 24 February 2022)
  • 'In the sign of exchange. Works by Caspar David Friedrich from USSR Collections at the Jubilee Exhibitions in Hamburg and Dresden 1974/1975', lecture at the international academic conference Romanticism in Russia and Germany: Yesterday and Today, New Tretyakov Gallery (Moscow, 15-16 June 2021)
  • Conception of the research laboratory Doing Exhibitions. Implicit knowledge and exhibition practice with Dr Sophia Prinz (online event, academic evening lecture: 09 June 2021, workshop: 10 June 2021)
  • 'At the table, at the table and around the table. Porcelain stories from the 18th century', lecture as part of the International Museum Day at Museum Schloss Fürstenberg, 16 May 2021
  • 'Im Verein mit Werner Hofmann' - Martin Warnke, Werner Hofmann und die Hamburger Kunstwissenschaft seit den 1970er Jahren', lecture at the international conference 'Politische Ikonologie. Geschichte und Zukunft der Bildkritik', Political Science Institute of the Philipps University of Marburg / Institute for Social Research, Frankfurt am Main (online event, 26-28 November 2020)
  • 'Bilderwissen und Ausstellungspolitik am Beispiel Caspar David Friedrich', lecture at the academic conference 'um 1800. Kunst ausstellen als wissenschaftliche Praxis', University of Hamburg/ Hamburger Kunsthalle (Hamburg, 14-16 November 2019)
  • 'The drawn double portrait around 1800: Friedrich Georg Weitsch's double portrait of two boys (Rudolf and Wilhelm Schadow) between Classicism and Romanticism', lecture as part of the series Kunstwerk des Monats, Georg-August-Universität Göttingen (Göttingen, 4 August 2019)
  • 'Let them eat cake! Objects, myths and stories from European dining culture', as part of the Göttingen showcase lectures, Café Birds Göttingen (Göttingen, 01 July 2019)

Non-university projects

  • Member of the interdisciplinary DFG network "Current Perspectives in Romanticism Research"
    → To the network
  • Member of the "German Society for the Study of the 19th Century"
  • Member of the "German Association for Art History"
  • 2017-2019: Deputy member of the board at Künstlerhaus Göttingen e.V.
  • Research assistant to Dr Andreas Stolzenburg at the Kupferstichkabinett of the Hamburger Kunsthalle for the exhibition "Raffael. The impact of a genius" (07.2021-10.2021)
  • Co-conception of the exhibition "Invented in a happy moment. German Drawings from Tischbein to Corinth" at the University of Göttingen (03.2019-10.2019) Co-curator of the exhibition "Face the Fact. Wissenschaftlichkeit im Porträt" at the Kunstsammlung Göttingen in collaboration with the Central Custody of the University of Göttingen (09.2018-03.2019)
  • Co-conception of the exhibition "3-2-1-ö" for the Künstlerhaus Göttingen e.V. (09.2018-10.2019)
  • Co-conception of the exhibition "Romantic Views" at the Ladesmuseum Hannover (03.2018-06.2018)
  • Co-conception of the exhibition "conceal - uncover - discover. A student intervention exhibition" at the University of Göttingen (03.2017-05.2017)
(Changed: 11 Feb 2026)  Kurz-URL:Shortlink: https://uol.de/p96034en
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