History
Booking workstations
To gain access to the studio workstations, the following steps are required:
- An access card is required. If you already have an access card, for example for the practice rooms, proceed to step 2. Otherwise, you can apply for an access card from .
- To have your access card activated for the sound studios, please send an email to . We require the card ID number, which begins with 9000…
- Once the card has been activated, it must be updated at the update terminal in the Student Service Centre (at the entrance, go through the glass door on the left, then it’s on the right-hand side against the wall).
- Book a slot: Search for ‘Musikstudios’ in stud-IP. Click on the ‘Studio booking’ tab. Select a time slot and book it by clicking the ‘+’ button.
- On the day of your booking, activate your access card at one of the card readers outside A11 (KMS entrance) or inside A9 (staircase leading to the practice rooms).
If you have any questions or if you need special equipment for your booking, please email .
History
SENSATION 1974!
"At the University of Oldenburg there is to be a music degree programme with "Apparative Music Practice" as the main subject! Instead of playing the piano, violin, flute or drums, tapes are cut, threaded and played. The State Examination consists of two so-called "apparative productions", piano, violin etc. are only played and tested as a minor subject. Should music teachers trained in this way really be let loose on our pupils?"
(See the Oldenburg-critical issues in"Music and Education").
Here you can find out all about the Oldenburg media music practice, its beginnings (as a music education provocation and pioneering achievement), its history, its goals, its diverse research activities and its further development along the progressive acceptance of media music practice by established music education and the turn to the political call for "digitalisation" of the German education system. Over the course of 50 years, media music practice in Oldenburg has developed from a much-discussed unique selling point to a natural part of music practice between big band, a capella, world music, musicals, etc.