Audiovisual media and waste/waste/remains

Infrastructures of film

Media aesthetics and theory of animation and animated film

WiSe 2023/24: Lectureship at the University of Duisburg-Essen, Institute for Art and Art Studies

07/2023: Completion of the doctoral project

Summer term 2023: Lectureship at the University of Hildesheim Foundation, Institute for Media, Theatre and Popular Culture

05/2022-06/2022: Research stays at the Wisconsin Center for Film and Theatre Research (Madison, WI), Black Film Center/Archive (Bloomington, IN), Harvard Film Archive and Film Study Center of the Museum of Modern Art (New York)

04/2018-03/2024: Research Assistant at the Institute for Media Studies at Ruhr-University Bochum (Professorship for Film Studies with a focus on
Film Theory and Film Aesthetics)

10/2017-03/2018: Research assistant at the Institute for Media Studies at the Ruhr-University Bochum (Professorship for Media Studies with special focus on
the theory, history and aesthetics of visual documentary forms)

until 08/2017: BA and MA studies in the subjects of Media Studies and General & Comparative Literature at the Ruhr University Bochum. Stays abroad at the Universidad Complutense de Madrid (subject: Comunicación audiovisual) and at the Université de Lausanne (subject: Historie et esthétique du cinéma)

Monograph

i.E.: The film culture of the making-of. Documentary production aesthetics in the 21st century. Bielefeld: transcript.

Edited by

2022

ffk journal (7). Documentation of the 34th Film and Television Studies Colloquium at the Bauhaus University Weimar and online (together with Janna Heine, Laura Katharina Mücke, Anna-Sophie Philippi, Maximilian Rünker)

Articles in journals and anthologies

2023

Implementing canon criticism in teaching. A report (together with Francis Wagner). In: ZfM Online, GAAAP_ The Blog (4 December 2023), zfmedienwissenschaft.de/KanonkritikinderLehreumsetzen.

Film/Infrastructure/Scenes (together with Oliver Fahle). In: Language and Literature 52 (1), Special Issue: Aesthetics of Infrastructure, ed. by Jörn Etzold, pp. 95-115.

2022

The film clapperboard in film. Reflections on footage as visual material. In: RabbitEye - Journal for Film Research 12, pp. 39-51.

Animated feature film. In: Franziska Bruckner et al. (eds.): Handbuch Animation Studies. Wiesbaden: Springer.

Showing How They Made Them Move: Early Making-of Documentaries on the Production of Animated Films. In: animation: an interdisciplinary journal 17 (1), pp. 110-126.

Editorial (together with Janna Heine, Laura Katharina Mücke, Anna-Sophie Philippi, Maximilian Rünker). In: ffk journal(7), pp. i-viii.

Epilogue (together with Laura Katharina Mücke). In: ffk journal (7), pp. ix-xiii.

2020

Christopher Nolan's Digital Detox, or: The many making-ofs of DUNKIRK. Film-making processes in a post-cinematographic reality (together with Elisa Linseisen). In: after the film 18.

Dying, Behind the Scenes: Picturing Impending Death. In: Sebastian Althoff et al. (eds.): Re-/Dissolving Mimesis. Munich: Fink (= Media and Mimesis), pp. 43-71.

2019

De Zéro|Towards Zero. Ritualisations of Writing and Photography in Paul Auster and Patrick Modiano. In: Pavlos Dimitriadis et al. (eds.): Literature & Ritual. Contributions to the Student Congress on Comparative Literature Berlin 2017. Berlin: Christian A. Bachmann Verlag, pp. 109-128.

Secondary materiality. On the articulation of movement in animated film. In: ffk journal (4), S. 33-49.

Něco z Alenky (Alice) (1988). In: Oliver Fahle et al. (eds.): Filmische Moderne. 60 fragments. Lorenz Engell on his 60th birthday. Bielefeld: transcript, pp. 243-248.

2018

Photo-photos. Notes on the media phenomenon "Dear Photograph". In: Media Observations.

Labour in myth - scenes of animation and gendering from Ovid to Frank Capra. In: Vid Stevanovic et al. (eds.): Literature and Labour. Berlin: Frank & Timme, pp. 223-235.

2017

The Drawn Memory: Memory, Trauma and Animation in Waltz with Bashir. In: ffk journal (1), S. 17-32.

Reviews

2023

Only pilots left. Folds, fractures and speculative dynamics: On John Thornton Caldwell's Specworld. In: cargo, pp. 68-72.

Fabian Lorenz Winter: The letter copy book as archive: history, aesthetics and theory. In: MEDIENwissenschaft: Reviews|Reviews 40 (4), S. 441-442.

2022

Symbio-psycho-vérité. On Scott MacDonald's and Jacqueline Stewart's William Greaves: Filmmaking as Mission. In: cargo 55, pp. 68-72.

2018

Erwin Feyersinger: Metalepsis in Animation (review). In: Reviews:communication:media.

5th Summer Academy Media Philology (with Rupert Gaderer, Vanessa Klomfaß and Vanessa Grömmke), Ruhr-University Bochum, 01-03 August 2022.

4th Summer Academy Media Philology (with Rupert Gaderer, Vanessa Klomfaß, Fynn-Adrian Richter and Vanessa Grömmke), Ruhr-University Bochum/online, 24-28 August 2021.

34th Film and Television Studies Colloquium (with Janna Heine, Laura Katharina Mücke, Anna-Sophie Philippi and Maximilian Rünker), Bauhaus University Weimar/online, 24-26 March 2021.

GfM Annual Conference (member of the organisation team), Ruhr-University Bochum/online, 29.09.-02.10.2020.

3rd Summer Academy Media Philology (with Rupert Gaderer, Vanessa Klomfaß and Fynn- Adrian Richter), Ruhr-Universität Bochum/online, Ruhr-Universität Bochum, 17-21 August 2020.

Reflections on the Lumière Galaxy. Workshop with Francesco Casetti (with Elisa Linseisen), Ruhr-University Bochum, 21 November 2018 (= Pre-Conference for the conference Mimesis Expanded).