Drawing and painting tools and various pictorial grounds are explored experimentally in terms of their possibilities. You can draw with adhesive tape as well as with biros, pen and ink or the drawing tablet on the computer. You can paint with brushes, palette knives, cloths or your own body.

In addition to canvas and paper, the medium can be the room itself or any other objects. Drawings with light in the room can be preserved photographically. The result visualised through the research process with the different materials is itself determined by the materials used. It cannot represent anything other than itself.

If the focus of the work is on the depiction of a subject, the depicted object should enter into a meaningful synthesis with the tool and background used.
The graphic/painterly representation of what is seen arises from the interplay of seeing, measuring, comparing and transferring to the picture support. Knowledge of the development of the use of proportion and perspective in different epochs and cultures is a prerequisite for a free and independent approach to these aspects of representation.

An individual artistic approach is also characterised by the development of an individual theme. The two-semester project modules provide the framework for this.