From country to city blues: a teaching unit on the development of the blues in the USA

Crossing the thresholds between childhood and adulthood. On the function of parallel worlds in the film Coraline by Henry Selick (2009)

The Internet as a medium of communication. A comparative analysis of past, present and future advertising media

Scandalised everyday life on TV - motives for the reception of docu-soaps and scripted reality

Benjamin Müller

Media literacy within youth media protection

screaming for a change. Self-education in the hardcore scene

Hip hop. Potentials and risks of a youth culture

An anthem for VfB Oldenburg - function, effect and aesthetics of football anthems

Marketing Strategy of Multinational Media in China

Opportunities and threats for music labels in view of the comprehensive digitalisation of production and distribution

Football on television: Staging for a mass medium

Culture and music festivals as a breeding ground for user-generated content. Opportunities and challenges for visitors, organisers and companies - a (free) field study

The dual broadcasting system in the Federal Republic of Germany. History, actors, legal and normative framework conditions

"Speak so that I can see you!" Audio/visual realisation of the cult series "The Three ???" in the intermedial field of tension

Satirical radio comedy. Investigation of a radio phenomenon using the example of the production of the project "Escape from Athens"

Classical music in the loudness war

The audible sequencer - The sequencer and its influence on production, composition and the producer

The genre mix as a success factor in the current music business using the example of violinist David Garrett

"Who's that kind of girl?!" The staging of Kylie Minouge in music videos and its influence on her star image

Jazz on the radio between 1945 and 1949 in post-war Germany

Nightingale, diva, star - a historical comparison of the images of selected sopranos

Christin Lambrecht

(School III - School of Linguistics and Cultural Studies / School II Computing Science, Economics and Law)

Perspectives on the new regulation of music exploitation taking into account increasing copyright infringements in the age of digitalisation

Pop ballads: An investigation and practical testing of their success

An investigation into the reality content of film musicals using selected examples

Techno - Digitalisation - Perception

The significance of Web 2.0 for the internet presence of museums using the example of pop music museums in Germany

THROUGH THE BACK DOOR INTO THE GERMAN BOOK MARKET? The potential of print on demand and social networks for book projects

The Internet as a mass interaction medium

Surreal aesthetics in contemporary feature films

The bass in jazz and popular music - history, functionality, images

"Intercultural music lessons at grammar schools in Lower Saxony" - an analysis of textbooks with regard to cultural understanding in intercultural music education

Timbaland, Dr Dre & Co - The music producer as star

Development of drum styles in popular Jamaican music of the pre-digital era

MUSIC - TIME - APERSPECTIVITY

Sustainability management at music festivals

Unbounded working relationships for solo self-employed persons in the cultural and knowledge economy

Urban Sounds - Contexts and Ciphers of Sound Architectures

Viral Video Marketing: An analysis of the distribution and economic success of viral video advertising on the internet

Computer-aided music selection on the basis of emotion concepts

Forms of musical notation - traditional notation compared to alternative forms of notation and their possible applications in school practice

Music teaching aspects of media with special consideration of a musical project

The music industry in the age of the internet. A teaching suggestion for thematising the music industry in music lessons

When does it rain in film and why? Rain as an aesthetic moment in film

Communication on the dancefloor in minimal techno. Application of systems theory according to Niklas Luhmann

Technologies in music using the example of jazz-rock

THE SHOW MUST GO ON! - An examination of the musical's place in the past and present

"You go to concerts to become happier" - Marketing concept for a live music café

Dr Sacha Szabo

(Diplom thesis in the distance learning programme "Culture and Media Management" at the Hamburg University of Music and Theatre)

Ballermann. Phenomenon and brand. Cultural-sociological analysis of an extraordinary experience

Singapore's media landscape - business potential for German media companies using the example of the games industry

... to make it small enough to fit into our living rooms: Filmic reconstructions of 11 September 2001 in American cinema. An examination of the films 9/11, World Trade Centre and United 93.

The communication-political staging of female pop stars in music videos

Independent film distribution on the Internet (short film through)

Disgust as a provocation strategy in the visual arts (short film Durch)

Psychophysiological effects of music in individual sports. - A literature research -

Lifeworld relevance and student motivation when using symphonic film music in relation to the teaching topic of classical music

"Mood" and "athmosphere" in the history of film music

Casting competitions in pop music. How a Lena is turned into a brand.

Marketing bands: traditional strategies versus current developments

Traditional blues vocal styles and their impact on vocal styles in contemporary pop music

The development of sequencer-based music production in the context of music pedagogical evaluation. A comparison of the years 1999 and 2009

"Britpop: The musical contribution to the 'Cool Britannia' phenomenon"

Effects of "digitalisation" on classical concerts, orchestras and audiences

The effects of the recording crisis on the music industry:
Strategy change of major and independent companies due to the influence of the digital economy

"Sampling as a cultural technique using the example of hip-hop - loop-based rap music in practice

What could an exemplary digital studio production of the Beatles album "Sgt. Pepper's Lonely Hearts Club Band" look like against the background of analogue-digital change? An attempt to reconstruct the studio-induced aesthetics of the 1966/67 production.

Lars Nemeth

WEB- and Audio-BLOGS as media for identity and image construction of young people.

"Strange little girl?" - On the importance of marketing and image for the artist Tori Amos

Evasion as a principle? Media staging and music cultural factors with Bob Dylan