Thomas Flömer (Oldenburg):

• "Hard to the Core" - Popular music as a transgressive (listening) practice.

Sidney König(Oldenburg):

• Reverberations. Berlin Musical Leftism and the Memory of WW II.

Ina Atlanta Beyer (Oldenburg):

• Queer Punk Utopias. Aesthetic strategies and re-/visions of political collectivity in Limp Wrist, Tribe 8 and Cristy C. Road.

Dr Hani Alkhatib (Oldenburg/Irbid-Jordan):

• Diversification of Jordanian Music Culture in the Early 21st Century and Important Changes in the New Musical Groups. @

Dr Anastasia Wakengut (Oldenburg):

• Identity constructions in the appropriation of popular music forms by young adults in Belarus.

Dr Stefanie Alisch (Oldenburg):

• Angolan Kuduro: Carga, Aesthetic Duelling, and Pleasure Politics performed through Music and Dance.

Dr Stefanie Kiwi Menrath (Berlin/Oldenburg/London):

• Anonymity Performance as Critical Practice in Electronic Pop Music. A Performance Ethnography.

Dr Thomas Schopp (Oldenburg):

• A sound history of the disc jockey show on US radio from 1930 to 1970.

Dr phil. Sarah Chaker (Vienna):

• Black metal and death lead. Musical practice and juvenile communitisation in the black and death metal scenes in Germany. A triangulative study. More

Dr phil. Bernd Wagner (Hildesheim):

• State, market and society. On the institutional genesis, construction and legitimisation of modern cultural policy.

Dr phil. Thomas Burkhalter (Bern):

• Significant sounds. Cosmopolitan music in Beirut as an expression of the world.

More:

• NORIENT - Network for local and global sounds and media culture.

• Thomas Burkhalter (2012): Local Music Scenes and Globalisation: Transnational Platforms in Beirut. Routledge Studies in Ethnomusicology, New York: Routledge.