Contact

Institute of Music | Administration 

Ines Willke

+49 (0)441 798-2987

Office: A10  0-009  


International Office


Institute of Music | Professor, Instructor

Prof. Dr. Gunter Kreutz

Rolando Angel-Alvarado

First steps in Design-Based Research

 Location: TBA

 Date/Time: TBA

Design-Based Research (hereafter DBR) is an interdisciplinary mixed methods educational research approach that serves concurrently for theoretical construction and experimental application. Specifically, DBR contributes theoretical and practical knowledge in the educational field, using a four-phase structural design which basically is focused, on the one hand, maturity of practical intervention and, on the other hand, theoretical understanding of real-world situation (McKenney & Reeves, 2012). In this regard, pragmatic philosophy assumes a determinant role because it provides a coherent epistemological system between the theoretical framework and empiric activity (Anderson & Shattuck, 2012).

In the field of music education, DBR has been tailored through the Holistic Architecture for Music Education (HAME; Angel-Alvarado et al., 2019), which is used by researchers and educators because it provides theoretical and practical knowledge within teaching and learning situations. In other words, HAME enables educational activities can be theoretically grounded, empirically contrasted, and replicable.

References

Angel-Alvarado, R., Wilhelmi, M. R. & Belletich, O. (2019). Holistic Architecture for Music Education: A research design for carrying out empiric and interdisciplinary studies in didactics of music. Itamar, (5), 335-357.

Anderson, T., & Shattuck, J. (2012). Design-Based Research: A Decade of Progress in Education Research? Educational Researcher, 41(1), 16–25.

McKenney, S., & Reeves, T. C. (2012). Conducting Educational Design Research. Routledge.

Instructor

Rolando Angel-Alvarado

Universidad Alberto Hurtado // Chile

He is a musician, music teacher, educational researcher, and International Doctor of Humanities and Social Sciences from the Public University of Navarra (Spain), participating as a visiting doctoral student at the Sibelius Academy in Helsinki (Finland). Nowadays, he is an Assistant Professor at the Universidad Alberto Hurtado (Chile). His scientific activities focus on sociomusical identities, music education gaps, and human rights education. Also, he is responsible for a Chilean National Fund for Scientific and Technological Development project (2023-2026; grant number 11230492). For further information, please check the following link: https://orcid.org/0000-0002-1800-2667

(Stand: 14.11.2024)  | 
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